A woman arrives at the Shinto Meiji Shrine to pray on the first day of the new year in Tokyo, Japan, January 1, 2016. (Photo by Thomas Peter/Reuters)

This May 11, 2016 photo shows the backside of a bus decorated with a provocative mural, in Acapulco, Mexico. (Photo by Enric Marti/AP Photo)

The Lake of Lights at Talkin Tarn lake near Brampton in Cumbria, England on October 22, 2017 – where hundreds of lights in the surrounding woodland represent a cherished memory of a relative friend or loved one no longer with us. (Photo by Owen Humphreys/PA Images via Getty Images)

A dancer spits fire during a slum party at Oworonshoki district of Lagos, on November 27, 2021. In Oworonshoki, a poor district of Lagos, Nigeria's economic capital, an emerging artistic dance activists, Ennovate Dance House, is changing the narratives of the slum cummunity. The community which in the past was always in the bad news for cultism, violence and killings, suddenly is attracting tourist attention with a “Slum Party”, a yearly artistic dance festival being used by the group to give life and hope to the inhabitants. (Photo by Pius Utomi Ekpei/AFP Photo)

Cars and a motorcycle are underwater as water floods a street, Wednesday, September 16, 2020, in Pensacola, Fla. (Photo by Gerald Herber/AP Photo)

South Sudanese traditional dancers prepare to welcome Pope Francis during his visit in Juba, South Sudan on February 3, 2023. (Photo by Thomas Mukoya/Reuters)

As the sun sets on the Malecon in Havana on Friday January 23, 2015, Surenis Angulo de la Paz, 24, center, dances as group of locals play music around her. Behind her is Fidel Lopez, 55. (Photo by Sarah L. Voisin/The Washington Post)

A woman spits red paint as if it is blood protesting against bullfights in Madrid, Spain on March 27, 2016. Anti-bullfighting protesters have turn the iconic square of “Puerta del Sol” into a bullring. Protesters, almost naked covered with red paint as if it was blood, have demanded the abolition of bullfights under the slogan “The bull suffers!”. (Photo by Marcos del Mazo/Pacific Press)