A woman looks across as a gay parade participant poses for pictures during Gay Pride parade in Madrid, Spain, Saturday, July 2, 2016. Hundreds of thousands of people defied high temperatures and relative security concerns and turned out in Madrid to march in Saturday's LGTB Pride parade, one of the biggest in Europe, along the streets of the Spanish capital, just three weeks after members of the gay, lesbian, bisexual and transgender community were tragically victimized in a shooting massacre at a United States nightclub. (Photo by Daniel Ochoa de Olza/AP Photo)

A fire-eater of the “Diables de Terrassa” performs during Sitges' little “Festa Major”, “Santa Tecla” in Sitges, Spain on September 19, 2016. This celebration brings together some of Catalonia’s most emblematic festive traditions. The central axis of the celebrations is the traditional parade, made up of “big-head” carnival figures and characters who dance to music played on different traditional instruments. One of the most popular events is the Correfoc or fire-running, which is also the closing event of the fiesta. The people run and jump over characters dressed up as devils and dragons, carrying fire. (Photo by Matthias Oesterle/ZUMA Press/Splash News)

Women labourers work at the construction site of a road in Kolkata January 8, 2015. Across towns and cities in India, it is not uncommon to see women cleaning building sites, carrying bricks and or shoveling gravel – helping construct the infrastructure necessary for the country's economic and social development. They help build roads, railway tracks, airports, and offices. They lay pipes for clean water supplies, cables for telecommunications, and dig the drains for sewage systems. But although women make up at least 20 percent of India's 40 million construction workers, they are less recognized than male workers with lower pay and often prone to safety hazards and sexual harassment. They are often unaware of their rights or scared to complain, say activists now trying to campaign for better treatment of women in the construction industry. (Photo by Rupak De Chowdhuri/Reuters)

A boy sits on the back of a crocodile on May 19, 2018 at a pond in Bazoule in Burkina Faso, a village which happily shares its local pond with “sacred” crocodiles. Crocodiles may be one of the deadliest hunters in the animal kingdom, but in a small village in Burkina Faso it is not unusual to see someone sitting atop one of the fearsome reptiles. According to local legend, the startling relationship with the predators dates back to at least the 15 th century. The village was in the grip of an agonising drought until the crocodiles led women to a hidden pond where the population could slake their thirst. (Photo by Olympia de Maismont/AFP Photo)

Kaori Sakamoto, from Japan, on April 17, 2025 at the ISU World Team Trophy in Figure Skating 2025, held in Tokyo. Teams from all over the world compete in a number of events with two men, two women, one pair and one ice dance entry. (Photo by Yohei Osada/AFLO SPORT via Alamy Live News)

This picture taken on September 14, 2024 shows Filipina wrestler “Crystal” fighting her opponent Yuki Kamifuku of Japan (not pictured) during a Middle Kingdom Wrestling (MKW) championship event in Shanghai. Despite a promising potential domestic market, the Chinese pro wrestling community has been battling for recognition and financial stability for decades. (Photo by Wang Zhao/AFP Photo)

A young woman wearing no trousers hits the ski slopes at a ski resort in Xuzhou, in east China's Jiangsu province on January 13, 2015 in a promotional effort to equal “No Pants Subway Ride”, which was marked on January 11 this year. The promotional “No Pants Subway Ride” stunt on January 11 was held as commuters in some 60 cities around the world braved public transportation in their undies, which has gone global since its first staging by US group Improv Everywhere in New York in 2002. (Photo by AFP Photo)

Floralis Genérica is a sculpture made of steel and aluminum located in Plaza de las Naciones Unidas, Avenida Figueroa Alcorta, Buenos Aires, a gift to the city by the Argentine architect Eduardo Catalano. Catalano once said that the flower "is a synthesis of all the flowers and is both a hope that is reborn every day to open." It was created in 2002. The sculpture moves closing its petals in the evening and opening them in the morning, although this mechanism is currently disabled. The sculpture is located in the center of a park of four acres of wooded boundaries, surrounded by paths that get closer and provide different perspectives of the monument, and placed above a reflecting pool, which apart from fulfilling its aesthetic function, protects it. It represents a large flower made of stainless steel with aluminum skeleton and reinforced concrete, which looks at the sky, extending to it its six petals. Weighs eighteen tons and is 23 meters high.