A female street art collective has set a new Guinness World Record to create the largest spray-painted mural by multiple artists. Over 100 international female street artists came together to create the continuous mural in south London’s Leake Street Tunnel, made famous by Banksy, on March 8, 2014. The record was broken as part of all-female street art event Femme Fierce, the largest of its kind in the UK, which aims to celebrate women street artists across the world. Photo: Zabou's witty graffiti. (Photo by Dez Mighty/Susan Mackey)

Born in Los Angeles in 1980 to an engineer and an artist, Mac has been creating and studying art independently since childhood. He was inspired at a young age by classic European painters such as Caravaggio, and Vermeer and Art Nouveau symbolists such as Klimt and Mucha. This was mixed with the more contemporary influences of graffiti and photorealism, as well as as the Chicano & Mexican culture he grew up around.

“Banksy is an pseudonymous England based graffiti artist, political activist, film director and painter. His satirical street art and subversive epigrams combine irreverent dark humour with graffiti done in a distinctive stencilling technique. Such artistic works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world”. – Wikipedia

Photo: A Bristol Museum employee adjusts one of the latest suprise exhibits by the underground guerrilla artist, Banksy on June 12 2009 in Bristol, England. The exhibition called “Banksy versus Bristol Museum” is one of the largest single collections of the artist works and was organised under tight security and installed in just 36hrs with only a handful of museum staff aware it was even happening. Banksy, whose real identity remains a mystery, is said to hail from the Bristol area, and claims that hosting the exhibition in the city is his way of thanking the city for his early street art career. (Photo by Matt Cardy/Getty Images)

A masked tourist poses for a souvenir photo next to a graffiti titled “Mobile World Virus” depicting “La Gioconda”, aka Mona Lisa, with a mobile phone and a medical mask, by urban artist TVBoy, close to the Sant Jaume square in Barcelona, Spain, 09 March 2020. Barcelona's Deputy Mayor and two town councillors are in quarantine after they were in contact with a City Hall's worker who was tested positive for the COVID-19 coronavirus. (Photo by Quique Garcia/EPA/EFE)

A dancer warms up backstage before the final of the 46th Prix de Lausanne, in Lausanne, Switzerland, 03 February 2018. Launched in 1973, the Prix de Lausanne is an international dance competition for young dancers aged 15 to 18. Closing the six-day event, prizes are awarded to the best of 21 finalists consisting of scholarships granting free tuition in a world-renowned dance school or dance company. (Photo by Valentin Flauraud/EPA/EFE)

Abbas (1944 – 25 April 2018) was an Iranian photographer known for his photojournalism in Biafra, Vietnam and South Africa in the 1970s, and for his extensive essays on religions in later years. He was a member of Sipa from 1971 to 1973, a member of Gamma from 1974 to 1980, and joined Magnum Photos in 1981. Here: Kuwait, 1991. (Photo by Abbas Attar/Magnum Photos)

Passengers watch as The Waverley, the world's last remaining seagoing passenger paddle steamer arrives at Clevedon Pier on June 10, 2011 in Clevedon, England. Built in 1946, the trust which owns and operates the Waverley, is warning that this could be the last season for the vessel and is appealling for more public funding saying it is struggling to make ends meet in the current financial climate due in part to rising fuel costs. Restored in 1973 after service on Loch Long in Scotland, since 2003, Waverley has been listed in the British National Register of Historic Ships core collection as 'a vessel of pre-eminent national importance'. (Photo by Matt Cardy/Getty Images)

A girl poses at an entrance of her house next to a bomb dropped by the U.S. Air Force planes during the Vietnam War, in the village of Ban Napia in Xieng Khouang province, Laos September 3, 2016. From 1964 to 1973, U.S. warplanes dropped more than 270 million cluster munitions on Laos, one-third of which did not explode, according to the Lao National Regulatory Authority. (Photo by Jorge Silva/Reuters)