Vøringfossen is the 83rd highest waterfall in Norway on the basis of total fall. It lies at the top of Måbødalen in the municipality of Eidfjord, in Hordaland, not far from Highway 7, which connects Oslo with Bergen. It has a total drop of 182 meters, and a major drop of 163 meters. It is perhaps the most famous in the country and a major tourist attraction on the way down from Hardangervidda to Hardangerfjord. The name Vøringfossen (Old Norse Vyrðingr) is derived from the verb vyrða (English: esteem, revere). The last element fossen, the finite form of foss (waterfall), is a later addition.

The official name for this tiny speck of land – the size of 12 football pitches – is Hashima, but few call it that. In English, its most commonly used name means “Battleship Island” and, viewed from a certain angle offshore, its silhouette is uncannily dreadnought in nature. It was a mining facility until 1974, when it was abandoned to the elements, before partially reopening as a tourist attraction in 2009. Photo: A decades-old television. (Photo by Mark C. O'Flaherty)

Born in 1958 in Kiev, Ukraine, artist Mark Khaisman studied Art and Architecture at the Moscow Architectural Institute in Russia. Now living in Philadelphia, USA, Khaisman uses rolls of brown packaging tape to create incredible works of art. Mark characterizes his work as ‘pictorial illusions formed by light and shadow’. The three key elements are: translucent packing tape, clear acrylic or film panels, and light. By superimposing layers of packaging tape Mark can ‘play on degrees of opacity that produces transparencies highlighted by the color, shading, and embossment’.

A model presents a creation during the Biofashion show, which features designs made from plants, recycled and natural materials, in Cali, Colombia, November 19, 2016. BioFashion is an environmental initiative that seeks to create awareness about the preservation and management of natural resources where new designers develop dresses made with living plants, flowers and organic elements. (Photo by Jaime Saldarriaga/Reuters)

In a remote location in rural America, a photographer has discovered a rather unique gathering: row after row of presidential busts. Like a zombie graveyard, the field contains 43 gigantic sculptures, ranging from Dick Nixon and FDR to JFK and Honest Abe. The likenesses weigh between 11,000 and 20,000 pounds, with some standing as tall as 20 feet. Almost all the busts are cracked, crumbling and worn by the elements, adding to their eerie appearance but not preventing the presidents from being recognizable at first glance. Here: Abraham Lincoln in front of presidential busts. (Photo by David Ogden/Caters News)

Zarnala is a female illustrator with a knack for anthropomorphic illustration, combining human and animal elements to create something altogether new. Unlike other forms of anthropomorphic art one can find out there though, her work always retains a tasteful, professional edge similar to the feel I get from comics like Juanjo Garnido's take on Blacksad. With an awesome watercolor themed approach to all her illustration work and her use of graphic shapes to frame her characters, at times it gives her art a strangely retro look that reminds one of the works of Norman Rockwell and JC Leyendecker. Check out more of her work after the break!

Pham Thi Thanh drinks a glass of water used as a treatment during a medium ritual at a Hau Dong ceremony at Phu Day temple in Nam Dinh province, Vietnam, May 7, 2017. Dating to the 16th century, Hau Dong centres on a belief in the Mother Goddesses of three realms – forest, water and heaven. It draws from elements of Taoism, Buddhism and other religions. (Photo by Reuters/Kham)

Karl Bang's paintings are unique because he combines totally different styles of painting within the same format. It is very difficult to design a balanced composition with realistic elements that are juxtaposed with flat colors and patterns. The faces of his subjects are painted realistically in the Western tradition with subtle gradations of color; while, his figures and costumes vignette into abstracted shapes, lines, flat colors and patterns that reflect Karl's background in China. It is as though there are different visual languages being spoken within his paintings.