“Spare bits = spare bots. Time on hands + obsession with uselessness = make trivial things. Made from capacitors, diodes, resistors, leds, bits of wire, solder, and time...” – Lenny & Meriel. Photo: “9V tragedy”. (Photo by Lenny&Meriel)

An innovative artist has camouflaged nude bodies by painting them into the worlds most expensive artworks. New York body artist, Trina Merry picked the 20 top dearest paintings, then photographed naked models disguised as part of the piece. Here: Titled 8,100,000 after the price paid for Bal du moulin de la Galette. (Photo by Trina Merry/Caters News)

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.

Mimi Kirchner is a Boston-based fiber artist. She live with husband in a Victorian era (1892) 2-family house. Have 3 kids who are mostly grown up and doing their own things. She graduated from Carnegie-Mellon University in 1976 with a BFA.

Hey Everybody! My name is Chris Ryniak (RYE-KNEE-ACK), and I make monsters. I split my time between sculpting and painting for gallery work, designing toys and being a Dad, but the thing I do the most is DRAW MONSTERS, like every day.

Flowers have always been used in art and fashion. They are everywhere from haute couture scarves to household wallpaper but one artist Lim Zhi Wei, who calls herself Limzy, has created beautiful paintings using fresh flowers that outshines all of those things.

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)