1st Place in Wildlife: A male orangutan peers from behind a tree while crossing a river in Borneo, Indonesia. (Photo by Jayaprakash Joghee Bojan/National Geographic Nature Photographer of the Year contest 2017)

Mystical Forest. Tracey Jennings photographed this seven-gill shark in a kelp forest just off the shore of Simon's Town near Cape Town, South Africa. You don't need to travel far from cities to visit Narnia. This 7 gill shark was photographed in a kelp forest just off the shore of Simonstown near Cape Town, South Africa. (Photo by Tracey Jennings/National Geographic Travel Photographer of the Year Contest)

The International Garden Photographer of the Year has announced the winner of their Black & White Photo Project 2019. Here: Blue Tit, Criccieth, Wales. (Photo by Alan Price/The International Garden Photographer of the Year)

The Mount Bromo volcano erupts in the Bryce Canyon, Utah. (Photo by Reynold Dewantara/2016 National Geographic Travel Photographer of the Year Contest)

Andrey Karr from Western Riders Slacklines at sunset above big waves in Nazare, Portugal on December 27, 2017. (Photo by Aidan Williams/National Geographic Travel Photographer of the Year Contest)

“One talented photographer has managed to capture these jaw-dropping images that show off the beauty of the surf and the art hidden in the waves. Kenji Croman has a deep passion for bodyboarding and photography and was inspired to combine the two after growing up in Hawaii”. – Caters News. (Photo by Kenji Croman/Caters News)

«Little Red Riding Hood». “The moment I pulled this sweater out of the drawer for Frankie I knew what I wanted for my picture today. I envisioned the look, the style, and the composition. When working with a 2 year old it is never easy to actually get the shot you want, especially when they decide to skip nap time. But I really like how this one turned out” – Rich. (Photo by Rich)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)