West Bromwich Albion's Saido Berahino (front) is challenged by Manchester City's Fernandinho during their English Premier League soccer match at The Hawthorns in West Bromwich, central England December 4, 2013. (Photo by Eddie Keogh/Reuters)

32 year old Mahada Khatum repairs a fishing net outside her home in the Shamalapur Rohingya refugee settlement on April 11, 2014 in Chittagong district, Bangladesh. Some years ago she escaped violence and discrimination from the Zomgara Baharchara village in the Meherulla district of Myanmar. (Photo by Getty Images/Stringer)

A general view of Hong Kong's business district is seen Thursday, August 1, 2013. (Photo by Vincent Yu/AP Photo)

The Supermoon rises over houses in Olvera, in the southern Spanish province of Cadiz, July 12, 2014. Occurring when a full moon or new moon coincides with the closest approach the moon makes to the Earth, the Supermoon results in a larger-than-usual appearance of the lunar disk. (Photo by Jon Nazca/Reuters)

A Palestinian youth demonstrates his parkour skills on a street in Gaza City, January 15, 2016. (Photo by Suhaib Salem/Reuters)

This picture taken on January 26, 2016 shows a monkey sitting on a bench during rehearsal at a monkey training school in a zoo in Dongying, eastern China's Shandong province. Shows featuring performing simians, popular in China and throughout Asia, are expecting a boost in the Lunar New Year of the monkey, which begins on February 8. But they are facing a growing backlash from Chinese people concerned about animal welfare. (Photo by Wang Zhao/AFP Photo)

Hindu devotees laugh as they watch the religious festival of Lathmar Holi, where women beat the men with sticks, in the town of Barsana in the Uttar Pradesh region of India, March 17, 2016. During Lathmar Holi the women of Barsana beat the men from Nandgaon, the hometown of Krishna, with wooden sticks in response to their teasing. (Photo by Cathal McNaughton/Reuters)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)