Reveller in costume with a broom jumps during a Zombie Walk event in central Kiev, Ukraine on October 27, 2018, ahead of Halloween celebrations on October 31. (Photo by Anatolii Stepanov/AFP Photo)

A sеx doll is seen on a bed at the doll brothel “Dollhaus” in Speyer, Germany, 10 December 2018. The “Dollhaus” is the first brothel with sеx dolls only in Germany. The “Dollhaus”, in Speyer, is the brainchild of businessman Raphael Abelmann who says his girls – including ladyboy versions – are the future of the sеx industry. (Photo by Ronald Wittek/EPA/EFE)

Women's Sabre Gold medalist Olga Kharlan (L) and bronze medalist in the Men's Greco-Roman Wrestling Zhan Beleniuk (R) react as they arrive at the railway station in Kyiv, Ukraine, 13 August 2024. Ukrainians meet and greet the members of National Olympic team as they return from Olympic Games 2024 in Paris amid the ongoing Russian invasion. (Photo by Sergey Dolzhenko/EPA/EFE)

(L-R) Sofía Vergara and Heidi Klum attend Netflix's Primetime Emmy afterparty at Hilex on September 15, 2024 in Los Angeles, California. (Photo by Roger Kisby/Getty Images for Netflix)

Jean Pierre Augustin falls out of the ring after being hit by Chris Arreola during a Premier Boxing Champions Heavyweight Bout at AT&T Stadium on March 16, 2019 in Arlington, Texas. (Photo by Tom Pennington/Getty Images)

An art wall painting representing performance artist Marina Abramovic by Italian artist Maurizio Cattellan to publicize his upcoming exhibition The Artist is Present, in Shanghai, China, is displayed on a facade of a building, in Milan, Italy, Wednesday, September 19, 2018. (Photo by Luca Bruno/AP Photo)

Team Alberta skip Kevin Koe makes a shot during the 10th draw against team British Columbia at the Brier curling tournament in Brandon, Manitoba, Tuesday, March, 5, 2019. (Photo by Jonathan Hayward/The Canadian Press via AP Photo)

These stunning color portraits, produced by the U.S. Office of War Information during World War II depict the role of women in the US war effort. All of the images were shot on 4x5 color transparency film by Howard R. Hollem and Alfred T. Palmer during 1942 and 1943 and were turned over to the Library of Congress Prints and Photographs Division in 1944. They are seen here with their original captions.