Individuals and populations student winner. Limbing in the Tropics, photographed in Manaus, Brazil. While walking in the Amazon rainforest looking for bat roosts to set up mist nets to capture bats for scientific research, a faint and almost imperceptible noise suddenly caught this photographer’s attention. An anteater was climbing with exceptional ability in a tangled mess of branches and lianas. (Photo by Adrià López Baucells/University of Lisbon/British Ecological Society)

Runner-up. “The City of London, looking towards the Royal Exchange and the Bank of England. The ever-changing London skyline provides many excellent opportunities for cityscape photography, none more exciting than the ebb and flow of traffic at night”. (Photo by Mark Caldon/The Guardian)

Novice DSLR (Digital single-lens reflex camera), 2nd Place. “Smile of a Friend”, American Crocodile (Crocodylus acutus) in Jucaro, Cuba. (Photo by Antonio Pastrana/The Ocean Art 2018 Underwater Photography Competition)

A competition, now in its 43rd year, dedicated to showcasing the beautiful and bizarre as seen under a light microscope attracted over 2,000 entries from 88 countries. Here: Honorable Mention by Emre Can Alagöz, Istanbul, Turkey: The eyes of a jumping spider, magnified 6x. (Photo by Emre Can Alagöz/2017 Nikon Small World Photomicrography Competition)

“A Balinese man shows off his pride and joy, a fighting cock, while on a cigarette break after a morning’s work in nearby fields”. (Photo by Coltrane Koh/The Guardian)

This month’s selection of travel imagery mixes quiet moments and superlative views. The overall 2018 prize is a West Greenland trip with Wild Photography Holidays. Here: “This was taken on a safari in Kruger national park, South Africa. The scene was like something straight out of a storybook: a wild baboon, impala and elephant crossing the road together, all lined up neatly in a row”. (Photo by Will Clarke/The Guardian)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)

In a new project, an international group of photographers have joined forces to use their powerful images to raise awareness and funds to help stop the illegal wildlife trade. Here: Fennec foxes are captured for the illegal pet trade. This three-month-old pup was for sale in a market in southern Tunisia. (Photo by Bruno D'Amicis/Photographers Against Wildlife Crime/Wildscreen/The Guardian)