A cosplayer uses moving stairs during the first public day of the world's largest computer games fair Gamescom in Cologne, Germany August 23, 2017. (Photo by Wolfgang Rattay/Reuters)
View of a damaged bridge at the Iguacu Falls on June 12, 2014, in Foz do Iguacu, Brazil, following the overflowing of the Parana river. In neighbouring Paraguay flooding has forced the evacuation of about 150,000 people in Paraguay's capital city Asuncion, authorities said. (Photo by Norberto Duarte/AFP Photo)
While photographer Thomas Herbrich is not a smoker, he said he has always been fascinated by cigarette smoke. These photographs have been featured in arts fairs such as ART Cologne, ART Karlsruhe, Art Fair Hong Kong, as well as several exhibitions. (Photo by Thomas Herbrich)
Giraffes at sunrise at the Loisaba Conservancy in Laikipia, Kenya in the first decade of December 2025. (Photo by Andrew Mason/Solent News & Photo Agency)
In this June 20, 2014, file photo, lobsters are processed at the Sea Hag Seafood plant in St. George, Maine. More and more American and Canadian-caught lobsters have been turning up at fancy restaurants in China, marketed as “Boston lobster”, say Maine-based processors. One processing firm owner says it's now the biggest live lobster important day of the year after Christmas in Europe. (Photo by Robert F. Bukaty/AP Photo)
The CBRE Urban Photographer of the Year competition – now in its ninth year – encourages professional and amateur photographers to capture cities at work. Here: Dog Walker – 15:00. The competition allows photographers to enter up to 24 images, one representing each hour of the day. (Photo by Johanna Siegmann)
Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)