Ravi Nath poses for a photograph with a cobra snake in Jogi Dera (Snake charmers settlement), in the village of Baghpur, in the central state of Uttar Pradesh, India November 10, 2016. An ancient tribe of snake charmers, known as Saperas, have thrived over the generations by catching venomous snakes and making them dance to their music. Snakes are revered by Hindus in India and snake charmers are considered the followers of Lord Shiva, the blue-skinned Hindu god who is usually portrayed wearing a king cobra around his neck. (Photo by Adnan Abidi/Reuters)

Nature – first prize, stories. Pandemic Pigeons – A Love Story. The photographer’s daughter, Merel, cowers after Dollie flies past and perches on the balcony before entering the house in Vlaardingen in the Netherlands on 6 April 2020. “She’s still frightened when Dollie suddenly lands on the balcony railing. I hide my smile behind the camera, as I try to comfort her by saying they won’t hurt you. “I thought he was going to attack me”, she replies. As the nesting pigeons keep coming back to our place, slowly my girls have started to appreciate them – perhaps not as much as I do, but it’s a start”. (Photo by Jasper Doest/World Press Photo 2021)

Winner, photojournalism. Elephant in the room, by Adam Oswell, Australia Zoo. Visitors watch a young elephant performing underwater. Oswell was disturbed by this scene, and organisations concerned with the welfare of captive elephants say performances like this encourage unnatural behaviour. In Thailand, there are now more elephants in captivity than in the wild. With the Covid pandemic causing tourism to collapse, elephant sanctuaries are becoming overwhelmed with animals that can no longer be looked after by their owners. (Photo by Adam Oswell/Wildlife Photographer of the Year 2021)

Palestinian woman Jihan Abu Muhsen prepares her donkey with her son Kareem before going work collecting bricks for sale from sites of demolished buildings, at her dwelling in Khan Younis in the southern Gaza Strip March 8, 2016. Abu Muhsen gathers bricks from the sites of demolished buildings and sells them to recycling factories. She earns around 20 shekels ($5) a day and her 10-year-old son Mohammad helps her when he is not at school. (Photo by Ibraheem Abu Mustafa/Reuters)

An Emirati child plays with an airplane model near the venue of the Mazayin Dhafra Camel Festival, on December 20, 2012 near the city of Madinat Zayed, 150 kms west of Abu Dhabi. The festival, which attracts participants from around the Gulf region, includes a camel beauty contest, a display of UAE handcrafts and other activities aimed at promoting the country's folklore. (Photo by Karim Sahib/AFP Photo)

Ultra Orthodox Jews look at the body of an alleged Palestinian assailant in Jerusalem Saturday, December 26, 2015. According to a police spokeswoman, policemen approached a man who drew their suspicions just outside the Old City for following a pair of Jewish worshippers. Then he pulled out a knife and tried to stab one of them, officers opened fire and killed the assailant. (Photo by Mahmoud Illean/AP Photo)

A supporter of “Si” vote cries after the nation voted “NO” in a referendum on a peace deal between the government and Revolutionary Armed Forces of Colombia (FARC) rebels, at Bolivar Square in Bogota, Colombia, October 2, 2016. (Photo by John Vizcaino/Reuters)

The Wildscreen festival is the world’s biggest celebration of screen-based natural history storytelling which takes place every two years in Bristol. Here: “Walrus in Midnight Sun”. Walrus feed mostly on bivalves in productive, shallow and often sandy habitats in the Arctic. This individual, though, arrived on a beach outside Tromsø, northern Norway, and found comfort on a stranded dead sperm whale. After two weeks he approached Audun, and only half a metre away he stretched his tusk forward and touched his hand gently. “This was one of the most memorable moments of my life”, Rikardsen says. He named the 500kg male Buddy. After two months, the dead whale was decomposed and Buddy suddenly disappeared. (Photo by Audun Rikardsen/Wildscreen 2016)