A diver dressed in a Santa Claus costume swims with a penguin at Sunshine Aquarium during preparations for the upcoming Christmas special event in Tokyo on December 1, 2025. (Photo by Kazuhiro Nogi/AFP via Getty Images)
Siberian tigers are fed by visitors from a bus at the Siberian Tiger Park in Harbin, in China's northeastern Heilongjiang province, on January 6, 2023. (Photo by Hector Retamal/AFP Photo)
Filipino students performs during the parade at the 125th Philippine’s Independence Day at Dubai World Trade Centre on June 10, 2023. (Photo by Leslie Pableo for The National)
Colombian rider Diana Carolina Penuela Martinez competes in the women's Elite Individual Time Trial cycling event during the UCI 2025 Road World Championships, in Kigali, on September 21, 2025. (Photo by Anne-Christine Poujoulat/AFP Photo)
Photographer and former dancer Jesús Chapa-Malacara, head of art production company fotosjcm, announces the launch of Esprit de Corps, an innovative book of ballet photography unlike any seen before. The high-end art book, currently being independently financed and offered exclusively through a Kickstarter campaign, will feature world-class dancers from top ballet companies, including Michaela DePrince of Dutch National Ballet, Jared Matthews and Yuriko Kajiya of American Ballet Theatre, among others.
Thomas Barbèy grew up in Geneva, Switzerland, across the street from the “Caran D'ache” factory, the largest manufacturer of art supplies. He started drawing seriously at the age of 13, using black “encre de Chine” and gouaches for color. His influences were Philippe Druillet, Roger Dean and H.R. Giger. After living in Geneva for 17 years and designing posters for musical bands, he decided to move to Italy, where he lived in Milan for 15 years making a living as a successful recording artist, lyricist and fashion photographer.
The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.