A worker sweeps leaves below a historic spirit still at Suntory Holdings' Yamazaki Distillery in Shimamoto town, Osaka prefecture, near Kyoto, December 1, 2014. Nestled at the foot of wooded hills near the ancient Japanese capital of Kyoto, the Yamazaki whisky distillery feels a long way from the northerly glens of Scotch's spiritual home. Despite its unlikely birthplace, last month Yamazaki's Single Malt Sherry Cask 2013 trumped more than a thousand challengers to be named the world's best whisky by leading critic Jim Murray in his Whisky Bible 2015. (Photo by Thomas Peter/Reuters)

A terminally ill patient raises his arm in a hospice for those dying of AIDS at the Buddhist temple Wat Prabat Nampu in Lopburi province, north of Bangkok November 30, 2014. From 1992, the temple has provided housing for HIV positive patients and palliative care for those in the final stages of the AIDS disease. Data from 2013 estimates Thailand has 450,000 people living with HIV/AIDS, but only 353,000 have access to life-saving antiretroviral drugs. (Photo by Damir Sagolj/Reuters)

This 1999 photo, supplied by HBO, shows a younger-looking James Gandolfini, who plays mob boss Tony Soprano, in an episode from the first season of the HBO cable television mob series, “The Sopranos”. Actor James Gandolfini, best known for his Emmy-winning portrayal of a conflicted New Jersey mob boss in the acclaimed HBO cable television series “The Sopranos”, has died while vacationing in Rome, the network said on June 19, 2013. (Photo by Anthony Neste/AP Photo/HBO)

13-year-old Emmanuel Festo from Tanzania poses for a portrait with a plush toy that he says makes him feel safe at night and that he sleeps with, in New York's Staten Island, September 21, 2015. Albino body parts are highly valued in witchcraft and can fetch a high price. Superstition leads many to believe albino children are ghosts who bring bad luck. Some believe the limbs are more potent if the victims scream during amputation, according to a 2013 United Nations report. (Photo by Carlo Allegri/Reuters)

“Capoeira is a Brazilian art form that combines elements of martial arts, sports, and music. It was created in Brazil mainly by descendants of African slaves with Brazilian native influences, probably beginning in the 16th century. It is known by quick and complex moves, using mainly power kicks and quick leg sweeps, with some ground and aerial acrobatics, knee strikes, take-downs, elbow strikes, punches and headbutts. The word capoeira comes from Tupi, referring to the areas of low vegetation in the Brazilian interior”. – Wikipedia

Photo: The Warriors of Brazil perform on Coogee Beach on November 23, 2009 in Sydney, Australia. The Warriors of Brazil show is a spectacular stage show which combines the extraordinary martial art of Capoeira with the uplifting music and dance of Carnival. (Photo by Ryan Pierse/Getty Images)

Larissa Neto, a muse of the Unidos da Tijuca Samba School, poses as she wears a carnival dress in Sao Goncalo near Rio de Janeiro, Brazil, February 3, 2016. Rio de Janeiro's carnival parades are known the world over for the glitz and glamour, high-tech allegorical floats and shimmering bodies, which battle it out each year for the championship title. Each school is fronted by the Queen of the Drums, who dances alongside the raging percussion, and her court of sparkling, sculpted dancers known as “muses”. (Photo by Ricardo Moraes/Reuters)

A man tries to stop two bulls from locking horns during a bullfight in the eastern emirate of Fujairah October 17, 2014. There are no matadors or picadors, but bulls locking horns with each other draw big crowds to bullfights in the United Arab Emirates (UAE). An hour's drive from the dancing water fountains of Dubai's glitzy downtown, hundreds of fans gather in Fujairah to watch bulls fighting, or perhaps more accurately head butting, with honour rather than money at stake. The UAE sport involves two bulls locking horns in a three-to-four minute Sumo-wrestling-like fight that usually ends with no bloodshed. (Photo by Ahmed Jadallah/Reuters)

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)