Josephine Wall is an English fantasy artist and sculptor. Born in Farnham, Surrey, England in 1947, as a child she was always drawn to color, light, fantasy, and visual storytelling. Wall was influenced by Arthur Rackam illustrative ability, the surrealism of artists Magritte and Dali, along with the Pre-Raphaelites romanticism. She went to Farnham grammar school until her family Poole, Dorset when she was 14. There she studied at Parkstone (Dorset) grammar school, she then went on to study at Bournemouth College. Her first job as an artist was in 1967 at Poole Pottery as a designer and painter.

(fos) is the name of the first ephemeral installation by the multidisciplinary team (fos). It means light in Greek and melted in Catalan. In this project has been represented by a skin that covers both vertical and horizontal surfaces. The protected façade of the vegan restaurant Rayen at Lope de Vega street in Madrid has been illuminated for 4 days and nights by more than 250lm of yellow duct tape, painted décor items, pineapples and... a lamp. A visual game between perspective and colored volumes that gained the looks.

Laura Paipo (L), first blind principal in Uruguay participates in a street race with her sighted guide and friend Amparo Bauter in Montevideo, October 4, 2015. Paipo, 55, who took office on August 10, 2015 became the first blind principal of a special school which specializes in the education of visually impaired students. (Photo by Andres Stapff/Reuters)

In order to get a glimpse into the visual culture of drug trade in New York City, a British photographer Graham MacIndoe collected more than one hundred bags, which were used to sell heroin. These bags feature references to various movies, fast-food restaurants, and luxury brands. This could be a way to mark various purities of heroin, or maybe different drug dealers use different markers to distinguish between each other. We can only wonder where Graham has acquired all these heroin bags. Hopefully, he picked them up after their contents were emptied. (Photo by Graham MacIndoe)

The ‘Stop the Violence’ advertising campaign by Brazilian agency Terremoto Propaganda aims to reduce the risk of accidents on the road. The visually grabbing print campaign shows a vehicle painted on the face of one person and the fist of another, drawing the comparison between what is widely known to be intentional violence, such as punching someone in the face, with what many incorrectly consider unintentional, like speeding or unsafe lane changes. Let us know what you think about this campaign in the comments below.

Karl Bang's paintings are unique because he combines totally different styles of painting within the same format. It is very difficult to design a balanced composition with realistic elements that are juxtaposed with flat colors and patterns. The faces of his subjects are painted realistically in the Western tradition with subtle gradations of color; while, his figures and costumes vignette into abstracted shapes, lines, flat colors and patterns that reflect Karl's background in China. It is as though there are different visual languages being spoken within his paintings.

Is it the surface of the Mars or Venus or an undiscovered planet? Not at all. These pictures aren’t what you think they are. Christopher Jonassen, a Norwegian photographer shot these beautiful and otherworldly series called ‘Devour of frying pan bottoms’, which are visually similar to craters and scars on a planet’s surface. In his series Jonassen refers to a quote of Jean-Paul Satre who said: ‘To eat is to appropriate destruction’ and the meaning of the word ‘devour’, which stands for eating up greedily, destroying, consuming, and wasting.

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)