Sophie Roberts admires Angel of the Trench by artists Laura and Paul Carey at the Himalayan Garden and Sculpture Park near Masham, North Yorkshire, UK on October 14, 2025. (Photo by James Glossop/Times Media Ltd)

This photograph shows installing of the artwork of Venezuelan-US artist Alex Da Corte titled “Kermit the Frog, Even” at Place Vendome in Paris, on October 19, 2025, ahead of the official opening of the Art Basel contemporary and modern art market. (Photo by Dimitar Photo)

Manar Abu Dhabi presents its second public light art exhibition on November 17, 2025. Organized by the Department of Culture and Tourism. KAWS, located at Souq Al Mina, Abu Dhabi. (Photo by Victor Besa/The National)

In this Monday, July 24, 2017 photo, a police officer walks in front of a mural during a protest demanding an end to the current pension fund system, in Santiago, Chile. Protesters say the government pension system robs retirees of fair pension payments, and are demanding a new social security system with higher payments. (Photo by Esteban Felix/AP Photo)

In this Wednesday, April 15, 2020 file photo, a motorcycle delivery man rides past a billboard urging people to stay home over the coronavirus pandemic in Dubai, United Arab Emirates. Wealthier Western countries are considering how to ease lockdown restrictions and start taking gradual steps toward reviving business and daily life. But many developing countries, particularly in the Middle East and Africa, can hardly afford the luxury of any misstep. (Photo by Jon Gambrell/AP Photo/File)

A man poses for a photograph in front of a mural of Democrat US presidential nominee Hillary Clinton clad in a swimsuit bearing the colours of the US flag in West Footscray in Melbourne on July 30, 2016. An Australian mural of US presidential nominee Hillary Clinton in a revealing, stars and stripes swimsuit may be taken down, after it has reportedly been deemed offensive. (Photo by Paul Crock/AFP Photo)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.