A supporter of China's President Xi Jinping waits on the Mall for him to pass during his ceremonial welcome, in London, Britain, October 20, 2015. Xi is on a State visit to Britain. (Photo by Peter Nicholls/Reuters)

People practice yoga on a cliff at an attitude of over 2,000 meters at Laojunshan mountain to welcome upcoming International Yoga Day on June 20, 2020 in Luoyang, Henan Province of China. (Photo by VCG/VCG via Getty Images)

A female honor guard has lipstick applied as they prepare for an official welcoming ceremony outside the Great Hall of the People in Beijing, China on June 11, 2014. (Photo by Jason Lee/Reuters)

Chinelos (traditional costumed dancers) perform in front of San Andres Ocotlan church as part of continuing festivities to welcome the new year in Calimaya, Mexico on January 4, 2016. (Photo by Arturo Hernandez/Demotix/Corbis)

A Chinese tourist wears a mask as she arrives at Suvarnabhumi Airport during a welcome ceremony of Chinese Lunar New Year travellers in Bangkok, Thailand on January 22, 2020. (Photo by Soe Zeya Tun/Reuters)

A Maori warrior prepares to challenge Prince Charles during his welcome to Takanhanga Marae in Kaikoura, New Zealand November 23, 2019. (Photo by Tracey Nearmy/Reuters)

A winter swimmer jumps into a pool in the frozen Songhua River during an activity for welcoming the Chinese New Year on January 30, 2022 in Harbin, Heilongjiang Province of China. (Photo by Liu Yang/VCG via Getty Images)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.