First responders work at the site of a deadly bus crash, in Guatemala City, Guatemala, on February 10, 2025. (Photo by Josue Decavele/Reuters)

Visitors pass an exhibit for Sculpture by the Sea, along the coastal walk from Bondi to Tamarama in Sydney, Australia on October 24, 2025. The annual event is Australia’s largest annual outdoor sculpture exhibition. (Photo by Xinhua News Agency/Rex Features/Shutterstock)

“Joan Miro i Ferra (April 20, 1893 – December 25, 1983) was a Spanish Catalan painter, sculptor, and ceramicist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miro expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an “assassination of painting” in favour of upsetting the visual elements of established painting”. – Wikipedia

Photo: Joan Miro's, grandsons, Emilio Fernandez Miro and Joan Punyet Miro pose beside Personnage (1970) in the Yorkshire Sculpture park on March 14, 2012 in Wakefield, England. Yorkshire Sculpture Park stages the first major UK survey of sculpture by Spanish artist Joan Miro. (Photo by Bethany Clarke/Getty Images)

Guests on the terrace of Shepheard's Hotel, Cairo, circa 1940. (Photo by Hulton Archive/Getty Images)

Soldiers stop to buy goods at the main market of Diffa, Niger, March 23, 2015. Diffa is where Nigerien and Chadian troops fighting insurgent group Boko Haram are based at. (Photo by Joe Penney/Reuters)

British designer Alex Chinneck created the installation - called From the Knees of my Nose to the Belly of my Toes - by removing the facade of a detached four-storey house that had been derelict for eleven years and replacing it with a brand new frontage that leaves the crumbling top storey exposed, then curves outwards so the bottom section lies flat in front of the house.

The Spanish city of Bilbao, known architecturally for its Guggenheim, has a new(ish) architectural icon. Not that it’s replacing Ghery’s work, just another one.

Non-Hindus carry nets as they wait on the edge of the crater to catch offerings cast down by Hindus during the Kasodo ceremony at Mount Bromo, Probolinggo, Indonesia, August 12, 2014. The Kasodo ceremony is a way of Tengger Hindus to express their gratitude to God for good harvest and fortune. The offerings range from vegetables to chickens, from fruits to goats, from money to other valuables. (Photo by Fully Handoko/EPA)