In this Thursday, May 24, 2018, photograph, artists of Ukraine's Artel Myth theatre perform “A day in the life of Ukrainians” at the Living Statues International Festival, in Bucharest, Romania. Up to thirty thousand people enjoyed a week of street performances by reputed artists from eight countries in the “largest European festival of the genre”. (Photo by Vadim Ghirda/AP Photo)

A Venezuelan Bolivarian National Police officer fires tear gas towards demonstrators during a protest in Caracas, Venezuela, Monday, April 10, 2017. Thousands of people in Venezuela's capital are protesting against the government of President Nicolas Maduro, demanding new elections and vowing to stay in the streets during the usually quiet Easter Week. (Photo by Fernando Llano/AP Photo)

A priest comforts one of the relatives of the victims, before a mass in their memory, as Lebanon marks one-year anniversary of Beirut port explosion, at the port in Beirut, Lebanon on August 4, 2021. United in grief and anger, families of the victims and other Lebanese came out into the streets of Beirut on Wednesday to demand accountability as banks, businesses and government offices shuttered to mark one year since the horrific explosion. (Photo by Aziz Taher/Reuters)

A reveler strikes a pose during an unofficial carnival block party referred to as “blocos”, in Rio de Janeiro, Brazil, Saturday, February 26, 2022. City Hall banned all blocos, the tightly packed street parties attended by those who cannot or don't want to buy pricey tickets for the official parade at the Sambadrome, due to a wave of the Omicron variant. (Photo by Silvia Izquierdo/AP Photo)

Pitch invader Kinsey Wolanski is taken away by security during the Champions League final soccer match between Tottenham Hotspur and Liverpool at the Wanda Metropolitano Stadium in Madrid, Saturday, June 1, 2019. (Photo by Toby Melville/Reuters)

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.