Young women prepare for Notting Hill Carnival on August 27, 2017 in London, England. The Notting Hill Carnival began with a special ceremony of remembrance following the Grenfell fire tragedy. (Photo by Leon Neal/Getty Images)

Heads of love dolls are seen on the shelf on March 9, 2017 in Tokyo, Japan. Japan's oldest and largest “love doll” maker Orient Industry, has been producing silicone love dolls since 1977, and has seen there is a trend for intimate relationships with silicone dolls in Japan. (Photo by Taro Karibe/Getty Images)

In this September 11, 2014 photo, villagers climb down the side of a hill used earlier as a dumping ground of asbestos waste on Roro hills in Roro, India. An asbestos mine, abandoned nearly three decades ago still affects the people around it and 18 along with Jema were diagnosed with asbestosis in 2012. Tens of thousands more, some former mine workers, remain untested and at risk. (Photo by Saurabh Das/AP Photo)

Kacper Kowalski was born in 1977. With a degree in architecture, he focuses on aerial photography. Both a pilot and a photographer, he has unique control over each shot. As a result he captures previously unseen natural environments and ordinarily inaccessible cityscapes. In this way unreal, almost graphic pictures come into being. They show patterns, symmetries and asymmetries created by humans and the nature.

A dog wears fake eyes while riding a motorcycle in Samut Sakhon, Thailand June 23, 2016. (Photo by Jorge Silva/Reuters)

Revellers enjoy the Notting Hill Carnival for the first time in three years in London, United Kingdom on August 28, 2022. (Photo by Simon Jones/The Sun)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.