We all have our own ways of passing time on our daily commutes. Some people read, others try to sleep, and many listen to music or play on their phones. But one creative commuter has a simple and highly entertaining way that hopefully more people will embrace. By placing a face from a newspaper in front of a person at just the right angle, they transform other commuters into recognizable celebrities while keeping the unbeknownst participant obscured.

Shimmering clearest blue and stretching as far as the eye can see, this is one of Iceland's famed crystal ice caves. The giant solid waves look frozen in time but they are slowly moving along as part of the Vatnajokull Glacier – which stretches across eight per cent of the island. The images were captured in February 2014 by British photographer Rob Lott, 49. Photo: A wide view of Rob Lott in the crystal ice cave in the Vatnajokull Glacier, Iceland. (Photo by Rob Lott/Barcroft Media)

The ‘Stop the Violence’ advertising campaign by Brazilian agency Terremoto Propaganda aims to reduce the risk of accidents on the road. The visually grabbing print campaign shows a vehicle painted on the face of one person and the fist of another, drawing the comparison between what is widely known to be intentional violence, such as punching someone in the face, with what many incorrectly consider unintentional, like speeding or unsafe lane changes. Let us know what you think about this campaign in the comments below.

Macro or Micro? Scientists’ pictures baffle our sense of scale. It began when Stephen Young, a geography professor at Salem State University in Massachusetts, tricked his biologist colleague Paul Kelly into thinking a satellite image was one of his electron microscope scans. Can you guess whether they are close-up or very far away? (Photo by Paul Kelly)

Alice Ross views a gold crown which was presented to Queen Victoria, part of the Royal Collection on display at the Queens Gallery on March 13, 2012 in Edinburgh, Scotland. The exhibition, which marks Her Majesty The Queen's Diamond Jubilee, reflects the tastes of monarchs and other members of the royal family who have shaped one of the world's great art collections. (Photo by Jeff J. Mitchell/Getty Images)

Alan Wilson, Director of James Ritchie & Son clockmakers, founded in 1809, adjusts a clock face at the Cannongate Tobooth to British Summer Time on March 21, 2012 in Edinburgh, Scotland. The Tolbooth, built in 1591, was where tolls and public dues were collected. The clock face dates back to 1820 and replaced an earlier clock from the 17th Century. Clocks will be put forward by one hour on Sunday March 25, 2012 at 1.00am and British Summer Time (BST) will officially start. (Photo by Jeff J. Mitchell/Getty Images)

A visitor looks at a Morris Mini-Minor Car on display at the Victoria and Albert museums' new major exhibition, “British Design 1948-2012: Innovation In The Modern Age” on March 28, 2012 in London, England. This car, which was designed by Alec Issigonis, was the first one off the production line. The exhibition showcases some of the most iconic product design, fashion, furniture, graphics, architecture and fine art from the last 60 years, and opens to the public from March 31, 2012. (Photo by Dan Kitwood/Getty Images)

Two giant puppets, a deep sea diver and his niece, roam through the streets of Liverpool, northern England, and April 20–23 looking for each other during the Sea Odyssey festival. The free event, organized by the French company Royal de Luxe is one of a series of events marking the 100th anniversary of the sinking of The Titanic. The liner, registered in Liverpool, sank on its maiden voyage to New York on April 15, 1912.

Photo: A giant deep sea diver emerges from the Albert Dock to begin a journey through the streets of Liverpool during the Titanic Sea Odyssey on April 20 in Liverpool, England. (Photo by Christopher Furlong)