Football Soccer, France vs Iceland, EURO 2016, Quarter Final, Stade de France, Saint-Denis near Paris, France on July 3, 2016. Iceland fan. (Photo by Carl Recine/Reuters/Livepic)

Girls prepare to take part in a mermaid lesson in Rio de Janeiro, Brazil May 28, 2017. Women in Brazil are not unique in their affinity for mermaiding. Classes are held as far away as Texas and some folks wonder if mermaiding will be the next fitness craze. (Photo by Pilar Olivares/Reuters)

A man rides a bicycle by a graffiti under the “Old Sava bridge” over Sava river in Belgrade, Serbia, Wednesday, May 19, 2021. (Photo by Darko Vojinovic/AP Photo)

The Rockettes perform at the Rockefeller Center Christmas tree lighting ceremony in New York, US on November 30, 2021. (Photo by Ralph Bavaro/NBC/NBCU Photo Bank via Getty Images)

Members of Tom Maior Special Group samba school perform during the carnival parade at the Anhembi Sambadrome in Sao Paulo, Brazil, 22 Febr​uary 2020. Carnival is the biggest and most popular celebration in Brazil. (Photo by Sebastiao Moreira/EPA/EFE)

Jaime Munguia lands a left to Canelo Alvarez in a super middleweight title fight Saturday, May 4, 2024, in Las Vegas. (Photo by John Locher/AP Photo)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)