A woman wearing a protective mask walks through a platform of a train station during the afternoon rush hours as the Omicron variant continues to spread, amid the coronavirus disease (COVID-19) pandemic, in Jakarta, Indonesia, January 3, 2022. (Photo by Willy Kurniawan/Reuters)

France's Alexia Richard looks up after falling in. loss to Spain in a beach volleyball match at the 2024 Summer Olympics, Wednesday, July 31, 2024, in Paris, France. (Photo by Robert F. Bukaty/AP Photo)

Residents wrapped in blankets watch flames engulf bamboo scaffolding at Wang Fuk Court housing estate after a major fire broke out, in Tai Po, Hong Kong, China, on November 26, 2025. (Photo by Tyrone Siu/Reuters)

Actress Laila Rouass poses during a studio shoot ahead of the new series of “Footballers Wives” at a London studio on January 28, 2004 in London. Rouass plays Conrad's bisexual wife Amber, and the nine-part series begins on ITV1 on February 11, 2004. (Photo by Stephen Perry/Getty Images)

Kyrgyz men on horseback compete during their traditional game of “Oodarysh” during the celebrations of the 90th anniversary formation of the Chui region in the village of Kuntu some 20 kms from Bishkek on May 27, 2016. (Photo by Vyacheslav Oseledko/AFP Photo)

A police officer raises a baton at a man who, according to police, had broken the social distancing rule, outside a wine shop during an extended nationwide lockdown to slow the spread of the coronavirus disease (COVID-19), in New Delhi, India, May 4, 2020. (Photo by Adnan Abidi/Reuters)

A vervet monkey walks over a parked car in the Park 'N Fly airport lot which lies adjacent to the mangrove preserve where the monkey colony lives, Tuesday, March 1, 2022, in Dania Beach, Fla. For 70 years, a group of non-native monkeys has made their home next to a South Florida airport, delighting visitors and becoming local celebrities. (Photo by Rebecca Blackwell/AP Photo)

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.