It would have been so much better if the pictures created by Mister Blick were real. How wonderful it would be if these men were actually holding flowers, and none of these wars happened. Regretfully, all these wars have left their mark on the history of mankind. Wars are always bad. They bring nothing but destruction and terror to the regular people, while the big players make huge profits off of the suffering of the common folk. However, establishing dominance is an integral part of the human nature, and the desire to wage wars is simply an extension of this trait. Strong countries always suppress the weaker ones to gain even more power. Unfortunately, this is as inevitable as the sunrise or sunset. (Photo by Mister Blick)

This combination of two photos taken on July 5, 2014, shows the Aazzab family waiting to break their fast, top, and their meal, bottom, during the holy month of Ramadan in Casablanca, Morocco. For the millions of Muslims abstaining from food and drink from sunrise to sunset every day during Islam's holiest month of Ramadan, that first sip of water after a grueling fast is by far the most anticipated moment of the day. (Photo by Abdeljalil Bounhar/AP Photo)

The Boeing 747-8 cargo plane pilot has seen thunderstorms, shooting stars and sunsets from up above the clouds and has looked down on mountaintops, carpets of cloud and cities lit up at night. The incredible pictures give a glimpse of the view from the pilots are treated to every day. Here: Shooting stars over India. (Photo by Christiaan van Heijst/Caters News Agency)

People take part in a sunset ceremony on the lower slopes of Glastonbury Tor as they celebrate Samhain at the Glastonbury Dragons Samhain Wild Hunt 2017 in Glastonbury on November 4, 2017 in Somerset, England. To celebrate Samhain, the Glastonbury Dragons, alongside Gwythyr Ap Greidal, the Summer King and the Winter King, (Photo by Matt Cardy/Getty Images)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)

A photographer is using a unique method to show the shift from day to night across famous cities in spectacular images. Daniel Marker-Moors' take on time-lapse photography – which he calls time slice – sees the photographer snap image after image, before combining them to create beautiful, vibrant works. His images usually focus on a point in the day with the most dramatic change in light, such as sunrise or sunset. Marker-Moors, from Los Angeles, begins by shooting hundreds and sometimes thousands of images from the same spot. Here: Chicago – 35 photographs, 15 minutes. (Photo by Daniel Marker-Moors/Caters News)

Kiritimati is a far-flung outpost of the Republic of Kiribati. The world's largest coral atoll, Kiritimati has just one flight a week to either Fiji or Hawaii, four-and-a-half hours in either direction. Tarawa, the capital of Kiribati lies nearly 3,300 km (2,000 miles) to the west – about three weeks by boat. No lawyers are based on Kiritimati and the High Court only comes once or twice a year to clear a backlog of the most serious cases, bringing a public lawyer for defendants who can't afford their own. (Photo by Lincoln Feast/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)