Rachel Hanson, 27 from Chicago, Illinois at the Bellagio Fountain Club at the Bellagio hotel and casino during the Formula 1 Las Vegas Grand Prix in Las Vegas, Nevada on November 18, 2023. (Photo by Bridget Bennett/The Washington Post)

An attendee dances at the start of the “Big Goth Dance Party” during the Porcupine Freedom Festival, or PorcFest, the Free State Project's annual summer gathering in Lancaster, NH on Wednesday, June 25, 2014. (Photo by Matthew Cavanaugh/The Washington Post)

Biologist Kelly Martin records her measurements of Electra, a 5 1/2 foot leatherback turtle nesting on the beach behind the Seminole Golf Club course in Juno Beach. Martin uses a red light which is invisible to turtles. (Photo by Greg Lovett/The Palm Beach Post)

A student activist is detained during a silent protest after Thailand's election commission filed charges against a group for posting “foul and strong” comments online criticising a military-backed draft constitution, in Bangkok, Thailand April 27, 2016. (Photo by Jorge Silva/Reuters)

A sales woman of a fish shop shows king crabs to a customer and negotiates the price in Noryangjin Fish Market is seen on August 1, 2015 in Seoul, South Korea. Noryangjin Fish Market was established in 1927 as Gyeongseong Susan in Jung-gu near Seoul Station and moved to its current location in 1971. (Photo by Shin Woong-jae/The Washington Post)

As the sun sets on the Malecon in Havana on Friday January 23, 2015, Surenis Angulo de la Paz, 24, center, dances as group of locals play music around her. Behind her is Fidel Lopez, 55. (Photo by Sarah L. Voisin/The Washington Post)

Hannah Rice, 18, jumps from a stump after posing for a photograph next to a large bust of President Franklin D. Roosevelt while touring busts of U.S. presidents in Williamsburg, Va. on March 30, 2019. The statues were once part of an attraction called Presidents Park, which has since closed. (Photo by Matt McClain/The Washington Post)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)