Australia's Rhiannon Clarke reacts in the rain after the women's T38 400-meters final at Tokyo 2020 Paralympic Games, Saturday, September 4, 2021, in Tokyo, Japan. (Photo by Emilio Morenatti/AP Photo)

A workman smooths out the gravel near the base of British artist Alex Chinneck' latest sculpture “A bullet from a shooting star” on the Greenwich Peninsula in London on September 17, 2015. The 35-metre tall, upside-down electricity pylon overlooks the Canary Wharf financial district. (Photo by Leon Neal/AFP Photo)

A participant jumps trying to control a bull during the annual bull taming “Jallikattu” festival in Palamedu village on the outskirts of Madurai in the southern Indian state of Tamil Nadu on January 16, 2020. (Photo by Arun Sankar/AFP Photo)

Markisa “Kis” Blount, left, helps leads a dance based exercise class in Franklin Square as part of the FITDC’s Juneteenth Health and Wellness Fair on Monday June 19, 2023 in Washington, DC. (Photo by Matt McClain/The Washington Post)

Nine year old girl Barsati reacts while walking on a tightrope in Mumbai on February 11, 2014. Barsati, and her younger brother Rajababu, (4) earn an average of around 2000 rupees (32 dollars) per day from pedestrians and tourists performing various acts on the tightrope near the city's iconic landmark Gateway of India. (Photo by Indranil Mukherjee/AFP Photo)

Miss Venezuela Ivian Sarcos receives her Miss World 2012 sash from Miss World 2011 by Miss World 2010, Alexandria Mills (R) in the Miss world 2011 World Final on November 6, 2011 in London, England. (Photo by Jeremy O'Donnell/Getty Images)

In this Saturday, August 16, 2014 photo, Mandy Stokes stands with her daughter Molly Kate Stokes next to a large alligator weighing 1011.5 pounds measuring 15-feet long is pictured in Thomaston, Ala. The alligator was caught in the Alabama River near Camden, Ala., by Mandy Stokes and family. (Photo by Sharon Steinmann/AP Photo/Al.com)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)