The 26th annual Visa Pour l’Image, the “Cannes Film Festival” of photojournalism kicks off, filling the French city of Perpignan with more than 3,000 of the world’s best photojournalists and photo editors, along with agencies from around the world. This year’s Visa Pour l’Image showcases 26 exhibitions around the city. Photo: Christians looting a Muslim shop in the “Combattants” district of Bangui. (Photo by Pierre Terdjman/Paris Match)

A Femen activist, Sarah Constantin, is hanged from a noose-like rope from a Paris bridge to call attention to the large number of executions in Iran as she stages a protest against visiting Iranian President Hassan Rouhani in Paris, Thursday, January 28, 2016. A near-naked woman hanging from a noose-like rope from a Paris bridge has sent a message to visiting Iranian President Hassan Rouhani. (Photo by Zacharie Scheurer/AP Photo)

Forgotten Guerrero. A female member of the community defence force holds her weapon. Since early 2019, the village has been attacked repeatedly by Los Ardillos cartel, prompting residents to take action. Rincón de Chautla, Guerrero, 10 June 2019. (Photo by Alfredo Bosco/Luz with the support of Le Figaro Magazine, Winner of the 2020 Humanitarian Visa d’or award, International Committee of the Red Cross/International Festival of Photojournalism 2020)

The lava of the Cumbre Vieja volcano reaches the door of a tattoo shop in La Laguna neighborhood, on the Canary Island of La Palma, Spain, December 14, 2021. (Photo by Borja Suarez/Reuters)

Tuvalu Beneath the Rising Tide by Sean Gallagher, Tuvalu. Changing environments prize: Fallen trees lie on a beach as the waves from the Funafuti lagoon in Tuvalu lap around them. Land erosion has always been a problem for the South Pacific country but problems are intensifying as sea levels rise. Rising seas are on the verge of completely submerging the tiny archipelago’s islands. (Photo by Sean Gallagher/CIWEM Environmental Photographer of the Year 2019)

Dominique Lynch on Tuesday, February 20, 2024 views Daniel Arsham's Unearthed, Bronze Eroded Melpomene, on display during Daniel Arsham: Relics in the Landscape exhibition, the first UK museum display of work by the highly acclaimed North American, at the Yorkshire Sculpture Park in Wakefield, West Yorkshire. (Photo by Danny Lawson/PA Images via Getty Images)

Is it a leaf? Is it tree bark? No, it’s the Satanic leaf-tailed gecko. Cleverly disguised as a rotting leaf, Madagascar’s camouflage king has red eyes, pointy horns and a taste for night hunting: it’s nature’s most devilish deceiver. The twisted body and veiny skin echo the detail of a dry leaf, which ensures the gecko blends in with its forest home. The mottled tail appears to have sections missing, as though it has withered over time. This mini-monster epitomises survival of the fittest, having adapted gradually to become today’s extraordinary leaf impersonator. (Photo by Thomas Marent/ARDEA)

The Wildscreen festival is the world’s biggest celebration of screen-based natural history storytelling which takes place every two years in Bristol. Here: “Walrus in Midnight Sun”. Walrus feed mostly on bivalves in productive, shallow and often sandy habitats in the Arctic. This individual, though, arrived on a beach outside Tromsø, northern Norway, and found comfort on a stranded dead sperm whale. After two weeks he approached Audun, and only half a metre away he stretched his tusk forward and touched his hand gently. “This was one of the most memorable moments of my life”, Rikardsen says. He named the 500kg male Buddy. After two months, the dead whale was decomposed and Buddy suddenly disappeared. (Photo by Audun Rikardsen/Wildscreen 2016)