Costumed participants of a lacquer and leather ship, the so-called “Torture Ship”, kiss before putting out to Lake Constance for a pleasure cruise at the harbor of Friedrichshafen, Germany, 29 June 2019. Hundreds of leather and rubber fans set sail for the boat trip through the night on Lake Constance. (Photo by Daniel Kopatsch/EPA/EFE)

France's Orlann Ombissa-Dzangue and Czech Republic's Marcela Pirkova compete during a women's 60m heat at the 2021 European Athletics Indoor Championships in Torun on March 7, 2021. (Photo by Sergei Gapon/AFP Photo/Profimedia)

The snow-capped Etna spews hot lava, near Catania, Sicily island, Italy, 26 November 2023. One of Europe's most active and tallest volcano has erupted again on 25 November 2023. (Photo by Dario Lo Scavo/EPA/EFE)

French artist Gino rides the “Celestial Cyclo” tricycle built by him in Le Marais neighbourhood in Paris, France, August 15, 2015. (Photo by Pascal Rossignol/Reuters)

A visitor and an employee dressed as Snegurochka (Snow Maiden), the granddaughter of Ded Moroz (Russian equivalent of Santa Claus), pose for a picture inside an upside down house, constructed as an attraction for local residents and tourists and located at the Royev Ruchey Park of Flora and Fauna in the suburbs of Krasnoyarsk, Russia, December 7, 2016. (Photo by Ilya Naymushin/Reuters)

Performers wait for delegations to arrive for traditional nomadic Naadam festival performance during the Asia-Europe Meeting (ASEM) summit just outside Ulaanbaatar, Mongolia, July 15, 2016. (Photo by Damir Sagolj/Reuters)

2016 Rio Olympics, Athletics, Final, Women's 200m Final, Olympic Stadium, Rio de Janeiro, Brazil on August 17, 2016. Photographers take pictures of Elaine Thompson (JAM) of Jamaica after she won the gold. (Photo by Gonzalo Fuentes/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)