Some bats in the forested area of Guapiles, Costa Rica, 21 April 2020. (Photo by Jeffrey Arguedas/EPA/EFE)

Workers hang thousands of different colorful fabrics on iron wires tied between a bamboo framework and constantly turn them so that they dry perfectly in a flooded field in Narayanganj, Bangladesh on March 16, 2022. (Photo by Joy Saha/ZUMA Press Wire/Rex Features/Shutterstock)

Jeret Cooper of Vernon, British Columbia rides the horse Einstein Quest in the novice bareback event during the Calgary Stampede rodeo in Calgary, Alberta, Canada on July 11, 2022. (Photo by Todd Korol/Reuters)

A canine chase a target during a racing competition on the outskirts of Charsadda on January 14, 2024. (Photo by Abdul Majeed/AFP Photo)

Actor Kurt Tocci leaps for photographers at the premiere of the AMC series “The Walking Dead: The Ones Who Live”, Wednesday, February 7, 2024, in Los Angeles. (Photo by Chris Pizzello/AP Photo)

A child with his body and face painted prepares to attend the sacred Ngerebeg ritual at the Tegallalang village in Gianyar, Bali, Indonesia, 03 April 2024. The sacred Ngerebeg ritual takes place every six months and it is mainly aimed at driving all evil spirits out of the villages. During the ritual, the participants paint their bodies in various colors and patterns to join the procession across the village. (Photo by Made Nagi/EPA/EFE)

In this November 9, 2014 photo, a man sits on the rope holding his bull by the neck as he waits to enter it in a bull fight in Leogane, Haiti. The obscure Haitian practice of fighting bulls is brutal like a cock or dog fight, but on a larger scale. A casual pastime for some rural men, it is serious business for others looking to pay their children's school fees or even buy a car. (Photo by Dieu Nalio Chery/AP Photo)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)