A clown checks her phone as she waits outside the Basilica of Our Lady of Guadalupe, in Mexico City, Monday, December 14, 2015. Hundreds of clowns belonging to various clown associations made their annual pilgrimage to the Basilica on Monday to pay their respects to the Virgin of Guadalupe, Mexico's patron saint. (Photo by Rebecca Blackwell/AP Photo)

Project Mermaids model. Project Mermaids lets ocean-lovers don tails and live out their siren fantasies. Clients can pay for a shoot that is either on land or underwater, with the images looking to raise awareness about preservation of beaches, seas and oceans. The project – which is shot by photographers Angelina Venturella and Chiara Salomoni – started purely to raise awareness, with celebrities dressing up as sirens as part of the cause. (Photo by Angelina Venturella/Chiara Salomoni/Caters News Agency)

Camila Hormazabal, a 24-year-old sеx worker, meets with a virtual customer in Concepcion, Chile on April 7, 2020. Hormazabal now offers sеxual services online after the nightclub where she had worked was closed due to the outbreak. With no way to pay her bills, Hormazabal switched to video calls conducted from her high-rise apartment bedroom, and asked her regulars to meet her online. She is one of the thousands of sеx workers worldwide left in a precarious position after the very intimacy that defines their work was thwarted by social distancing measures. (Photo by Juan Gonzalez/Reuters)

Birds fly over the Atomic Bomb Dome in Hiroshima, western Japan July 29, 2015. On August 6, 1945, the U.S. dropped the atomic bomb on Hiroshima, killing about 140,000 by the end of the year in a city of 350,000 residents, in the world's first nuclear attack. Three days later, a second atomic bomb was dropped on Nagasaki. Influenced by the shadows scorched into outdoor surfaces by the heat of the blasts 70 years ago, Reuters photographer Issei Kato pays homage to survivors, residents and historic buildings in both cities in a personal project that captures the shadows of today. (Photo by Issei Kato/Reuters)

Olive Ridley turtle hatchlings (Lepidochelys olivacea) sit in baskets and trays at the turtle camp La Gloria, before their release into the ocean in Tomatlan November 15, 2013. Twenty years ago, Mexico's government implemented ecological plans to protect the sea turtles from being hunted for their leather and meat and established conservation areas and a pay system for local residents to protect turtle nests. Millions of baby turtles hatch on the shores in November and December, according to an environmental group. It is estimated that in 2012, there were 20 million newborns. Hatching season is still underway, but officials say they expect there will be even more turtles born this year. (Photo by Alejandro Acosta/Reuters)

Traditional trumpeters perform during the durbar festival on the second day of Eid-al-Fitr celebrations in Nigeria's northern city of Kano, July 7, 2016. The Durbar festival begins with prayers, followed by a parade of the Emir and his entourage on horses, accompanied by music players, and ending at the Emir's palace. The Durbar festival had been in hausaland for more than 500 years. It was introduced by sarki muhammadu rumfa of kano in the late 14th century, as a way of demonstrating military power and skills before going to war. The festival is also an opportunity for local leaders to pay homage to emir throughout the jahi cheering. (Photo by Akintunde Akinleye/Reuters)

Lovely is the correct work to describe this beautiful paintings series by David Renshaw from “Ted n’ Doris – A Northern Romance”. “Deep down I always knew what I wanted to do for a living and in my school years I remember my father teaching me some basic elements of drawing and I dreamed of one day becoming an artist. Being only really interested in art I left school and studied Graphic Design, after which I started work at a local art gallery as a picture framer. I continued to paint alongside my job, mainly developing techniques and ideas and in 2005 decided it was time to follow my dreams and dedicate myself to painting full time. I always try to make my work feel atmospheric, and I like to pay particular attention to sky and cloud formations as I consider this element of my work to be extremely important to the mood of the finished painting, whether it be a dramatic sunset or a misty moonlit night.”

Chief priest Gbenga Saala raises a cutlass to kill a dog during an annual prayer and sacrifice celebration of the iron god Ogun in Abuja, Nigeria, June 23, 2015. Every year worshippers offer a dog as sacrifice to Ogun, a traditional Nigerian deity, in hope of an auspicious year ahead. Taxi drivers, blacksmiths, panel beaters and mechanics – trades that depend on metal for their livelihood – pay homage to Ogun, led by high priest Gbenga Saala. As part of the ceremony, the priest pours the dog’s blood on symbols of these workers’ trade: keys, spanners and other tools piled up in a metal barrel. (Photo by Afolabi Sotunde/Reuters)