“I have been photographing this group of urban foxes in Bristol for over 12 months; what started off as a chance encounter has become an obsession for me and has changed my feelings and attitudes towards urban foxes forever...”. – Ian Wade. (Photo by Ian Wade)

“They’ve been obsessing me for years. I searched and found them in Benares, on the banks of the river Gange (India). They arrive here to get rid of everything and to wait for death. This existence can last for years, sometimes decades, almost a life. Opposite to mine, well organised and filled as a human life can be, to try in vain to push the limits of its end”. – Denis Rouvre. (Photo by Denis Rouvre)

I would like to tell you why many artists, who like me, have painted portraits and landscapes in oils on canvas, worked with acrylics, watercolors, and pen and ink drawings, have turned to the art of gourd carving.

A pigeon rests on a wild iguana in a tree inside Seminario Park in Guayaquil, Ecuador, Thursday, April 3, 2014. Pigeons coexist with the wild iguanas at this park in the middle of the city surrounded by savannah. (Photo by Dolores Ochoa/AP Photo)

Sikhs wield swords during their clash inside the complex of the holy Sikh shrine, the Golden Temple, in Amritsar June 6, 2014. Sikhs wielding swords clashed inside the compound of their religion's holiest shrine on Friday, the 30th anniversary of a controversial raid by security forces that flushed out separatist militants holed up in the temple. REUTERS/Munish Sharma

Visitors look at a giant puppet of a grandmother sleeping on a bed inside St George's Hall in Liverpool, northern England July 23, 2014. The grandmother is one of two giant models made for a World War I commemorative event. (Photo by Nigel Roddis/Reuters)

Sabine Pearlman‘s photographs find beauty in the destructive engineering of ammunition with this series of cross-sections of bullets cartridges from a Swiss bunker. They reveal the complexity inside each case. This series, which consists of 900 specimens, was photographed inside a WWII bunker in Switzerland. Pearlman says that she is intrigued by the beautiful complexity of the ammo set against its destructive purpose, at once showing off humanity’s ability to create and destroy.