Australian model Kate Fischer (Tziporah Malkah) poses with a Cointreau Ball to celebrate France’s founding anniversary in Sydney, Australia on July 14, 1996. (Photo by Getty Images)

Aerial photo taken on June 19, 2021 shows the scenery of Mount Huashan in northwest China's Shaanxi Province. (Photo by Xinhua News Agency/Rex Features/Shutterstock)

The sun rises through the thick fog that covers the city of Frankfurt, Germany, Friday, November 12, 2021. (Photo by Michael Probst/AP Photo)

Artwork by Ruth Bellotti & Steve Rosewell called “Soldier Scale 1:1” is seen at the 2008 Sculpture by the Sea launch at Mark's Park, Bondi on October 15, 2008 in Sydney, Australia. (Photo by Gaye Gerard/Getty Images)

Maya, 8, and Kishore, 13, pose for a wedding photo inside their new home, the day after the Hindu holy day of Akshaya Tritiya, called Akha Teej in North India. Despite legislation forbidding child marriage in India (Child Marriage Restraint Act-1929) and the much more progressive Prohibition of Child Marriage Act (2006) and many initiatives to prevent child marriage, marrying children off at a very tender age continues to be accepted by large sections of society. (Photo by Stephanie Sinclair/VII Photo Agency)

Since 2005, photographer Sol Neelman, has photographed people having fun. More specifically, Neelman has documented the wacky and wildly diverse world of “weird sports”. Photo: Breanna Ziehlke encourages her frog to get on with it at the Calaveras County Fair & Jumping Frog Jubilee. (Photo by Sol Neelman)

Boeing 747-400 of KLM in approach for the “Princess Juliana” airport, Netherlands Antilles Sint Maarten on July 2, 2002. (Photo by LUPOO/Ullstein Bild via Getty Images)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.