At the Krasnopresnenskaya station, the benches come from the Cathedral of Christ-Sauveur, which was built from 1839 to 1883 in memory of the victory of Russia against the army of Napoleon I. The cathedral was destroyed under Stalin in 1931, but the benches remained intact. Metro architects decided to install them in some stations. (Photo by Didier Bizet/The Washington Post)

Situated in the Pacific Ocean some 620 miles (1,000 km) from the South American continent, these 19 islands and the surrounding marine reserve have been called a unique “living museum and showcase of evolution”. Photo: “Close-up. We had a juvenile Red-Footed Booby come visit us on the sun deck. I got some closeups with my ultrawide 11-16mm Tokina”. (Photo by Carl Fredrickson)

Grand Rapids (Michigan) based illustrator and artist Scott Gundersen creates his portraits from thousands of used and recycled corks. Starting with a large photograph that’s transferred to a drawing, Gundersen pins each cork to the canvas, creating a correlation between the hues of the wine-stained corks and the value of light or shadow in the portrait. Scott Gundersen has made these incredible portraits, one using 3,621, 3,842 and the other using 9,217 natural wine corks.

Vanessa, thirty-five, had three children with an abusive husband. She “lost her mind, started doing heroin”, after losing the children, who were taken away and given to her mother. The drugs led to homelessness and prostitution. She grew up on Arthur Avenue in the Bronx, but now spends her time in Hunts Point, “trying to survive everyday. Just doing whatever it takes”.

Zdzisław Beksiński, 24 February 1929 – 21 February 2005) was a renowned Polish painter, photographer, and sculptor. Beksiński executed his paintings and drawings either in what he called a 'Baroque' or a 'Gothic' manner. The first style is dominated by representation, with the best-known examples coming from his fantastic realism period when he painted disturbing images of a surrealistic, nightmarish environment. The second style is more abstract, being dominated by form, and is typified by Beksiński's later paintings.

Beksiński was murdered in 2005.