Participants jump over a bonfire as they celebrate the Pagan holiday of Ivan Kupala, a traditional holiday that has been observed in Ukraine since pre-Christian times, in Kyiv, on June 23, 2024, amid the Russian invasion in Ukraine. (Photo by Anatolii Stepanov/AFP Photo)

Kids in fancy dress eat for free at Asda Cafés in Leeds, UK on Halloween on 31st October, 2025 – a real treat for families this spooky season. (Photo by Doug Jackson/PinPep)

A woman poses next to two mailboxes along a street in Taipei on August 11, 2015 that were reportedly bent by strong winds brought by Typhoon Soudelor over the weekend. The two iron mailboxes have become an unlikely attraction, drawing thousands of snap-happy visitors and have even become a backdrop to a wedding photo shoot. The typhoon, which hit in the early hours of August 8 and was billed as the most powerful typhoon this year, uprooted trees, brought down electricity poles, knocking out power to a record 4.3 million households, while leaving eight dead and four missing. (Photo by Benjamin Yeh/AFP Photo)

A day-old lamb exploring new surroundings on the vernal equinox, considered the first day of spring, on March 20, 2019 at Coombes Farm in Lancing, England. (Photo by Andrew Hasson/Getty Images)

2017 Paraguay-Bolivia-Argentina Dakar rally, 39th Dakar Edition, Seventh stage from Oruro to Uyuni, Bolivia on January 9, 2017. Juan Salvatierra of Bolivia rides his KTM. (Photo by Ricardo Moraes/Reuters)

SpaceX’s Dragon spacecraft, March 6, 2014. SpaceX's Falcon 9 rocket and Dragon spacecraft launched from Launch Complex 40 at the Cape Canaveral Air Force Station, Florida, for their third official Commercial Resupply (CRS) mission to the orbiting lab on April 18, 2014. Dragon returned to Earth with a parachute-assisted splashdown off the coast of southern California on May 14, 2014. Dragon is the only operational spacecraft capable of returning a significant amount of supplies back to Earth, including experiments. (Photo by Ron Lin/SpaceX Photos)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.