A zoo employee carries three-month-old female giant panda cub, born to mother Liang Liang and father Xing Xing, on display to the public for the first time at the national zoo in Kuala Lumpur, Malaysia, November 17, 2015. (Photo by Olivia Harris/Reuters)

A girl with white powder on her face celebrates the Songkran holiday which marks the Thai New Year in Bangkok, Thailand, on April 14, 2024. (Photo by Chalinee Thirasupa/Reuters)

A caiman swims amidst trash in Canal das Taxas at the Recreio dos Bandeirantes neighborhood in west Rio de Janeiro, Brazil, on November 22, 2023. The urban expansion of the area and the resulting pollution have put the yacare caiman (Caiman latirostris) “in danger of extinction”. (Photo by Tercio Teixeira/AFP Photo)

Waves to the height of 10m reaching 20-30m at the point of impact smashed against the coastline of the idyllic coastal city of Saint Malo, France on April 10, 2024. The extreme tidal waves were the result of Storm Pierrick. (Photo by Mathieu Rivrin/Solent News & Photo Agency)

Solid Light, an exhibition of the immersive works of Anthony McCall, opens at Tate Modern in London on June 25, 2024. Installations use beams of light projected through a thin mist to create large three-dimensional forms. (Photo by Guy Bell/Alamy Live News)

A tree frog uses a leaf as an umbrella in pouring rain in Karacabey floodplain near the city of Bursa, Turkey in the first decade of June 2023. (Photo by Savas Sener/Solent News & Photo Agency)

Fans are seen at the 143rd Kentucky Derby on May 6, 2017 in Louisville, Kentucky. (Photo by Michael Hickey/Getty Images)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)