Waiters pose at their terrace of their restaurant rue de Buci in Paris on June 2, 2020, as cafes and restaurants reopen in France, while the country eases lockdown measures taken to curb the spread of the COVID-19 (the novel coronavirus). (Photo by Martin Bureau/AFP Photo)

Coronavirus vaccinated audience members watch Saudi prominent singer Mohammed Abdu as he performs at the newly built Super Dome, in Jiddah, Saudi Arabia, late Thursday, July 8, 2021. The concert is organized by the Saudi General Entertainment Authority after the kingdom lifted coronavirus restrictions on events in May. (Photo by Amr Nabil/AP Photo)

Indian fashion blogger Diipa Khosla poses for photographers upon arrival at the premiere of the film “Everything Went Fine” at the 74th international film festival, Cannes, southern France, Wednesday, July 7, 2021. (Photo by Brynn Anderson/AP Photo)

Spain’s fans react after their team lost the match against Italy while watching the match in a bar during the Euro 2020 soccer championship semifinal match between Italy and Spain, in Pamplona, northern Spain, Tuesday, July 6, 2021. (Photo by Alvaro Barrientos/AP Photo)

English model Kate Moss, left, and her daughter Lila Grace Moss wear creations for Fendi's Spring-Summer 2021 Haute Couture fashion collection presented Wednesday, January 27, 2021 in Paris, France. (Photo by Francois Mori/AP Photo)

In this November 26, 2018 photo, men run during 100 meters athletics competition of the second edition of the Panamanian indigenous games in Piriati, Panama. These games were held in the Embera town of Piriati, some 55 miles (90 kilometers) east of Panama City. (Photo by Arnulfo Franco/AP Photo)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.