French Levalet is back in the streets of Paris with this new piece entitled ‘Le marchand de sable’/’The Sandman’, a rather literal interpretation of the mythical character in central and northern European folklore who brings good dreams by sprinkling magical sand onto the eyes of children while they sleep at night. Funny and smart as usual.

Perched on the snout of a crocodile, this brave frog will probably never realise just how much of a lucky escape it's had. For there's one reason the reptile's beady eye is fixed greedily on its visitor with jaws gaping wide in anticipation - it's feeding time. The crocodile had just devoured the first frog in his enclosure, but appeared unable to capture the second.

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.

Untitled. (Photo by Lee Jeffries). P.S. The person in the photo – poured-out our yard keeper Volodya (it has no surnames, therefore it's simple – Volodya). It too the homeless, and too the good person (it's visible according to eyes). Looks after stray dogs and cats, every day feeds crowd of pigeons in a yard... I am on friendly terms with it. =) (Forgive please me for bad English – Translate.ru very much tried to inform to you my scanty thought).

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

The works of Hu Shaoming immediately catch the eye of the onlookers with their level on intricacy and uniqueness. To provide a glimpse into the intricate workings of vintage cameras he uses a very unique method. He made it seem as if the fine leather covering of the camera was opened by zipper, showing its innards. A similar technique was used on an ancient telephone, though there it looks more like an embellishment. The idea was so marvelously put into life that it seems as if those items can actually be zipped up, though of course that is not possible.

A man holds a pigeon during the British Homing World show of the year at Blackpool's Winter Gardens in Blackpool, north west England on January 17, 2016. Homing pigeon fanciers from across Europe gathered to find the Supreme Show Champion with judges casting their eyes over hundreds of birds on show. The Royal Pigeon Racing Association organises the event and has Queen Elizabeth II, who keeps pigeons at Sandringham, as its patron. (Photo by Andrew Yates/Reuters)