A radio-controlled flying witch makes a test flight past a moon setting into clouds along the pacific ocean in Carlsbad, California October 8, 2014. Reuters was invited to photograph the testing of the life sized device by inventor Otto Dieffenbach lll. (Photo by Mike Blake/Reuters)

Cave Diver, Anhumas Abyss, Bonito, Brazil: The Anhumas Abyss is an underground cavern with a crystal-clear lake below, more than 260 feet (79 m) deep. A visitor must enter through a narrow opening at the top of the chamber and rappel into the cave. Snorkeling and scuba diving in the lake reveal amazing scenery. Distinctive, conical limestone stalagmites and stalactites occupy the lake and the surrounding area, some reaching 65 feet (20 m) high. (Photo by Marcio Cabral/Nature’s Best Photography Awards 2017)

A model poses with a crocodile at Chinchorro Banks, Mexico on June 21, 2018. These crocs had a lot to smile about – sporting huge toothy grins as they posed with stunning models in incredible underwater snaps. The brave models held their breath as they came face to face with the magnificent predators during the daring shoot. Photographer Ken Kiefer took a two hour boat ride to reach the carnivorous crocs at Chinchorro Banks, Mexico, along with his wife and model, Kimber and model, Melodie Trevino. (Photo by Ken Kiefer/Caters News Agency)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

A general view of dried-up rivers in the Pilbara region of Western Australia December 2, 2013. Western Australia's Pilbara region, which is the size of Spain, has the world's largest known deposits of iron ore and supplies nearly 45 percent of global trade in the mineral. (Photo by David Gray/Reuters)

Nelson Hernandez flashes the victory sign as he shows off one of the voodoo dolls that he is selling at El Viejo Lazaro Botanica to try and help the Miami Heat fans root their team on against the Dallas Mavericks in the NBA finals on June 9, 2011 in Miami, Florida. The dolls made from cotton come in white or black and they are all the same size. The user of the doll must have the name of the player attached to the doll, which is filled with cotton, herbs, sticks and a special powder. (Photo by Joe Raedle/Getty Images)

“Life-size humanoid robot BERTI (Bristol EluMotion Robotic Torso number 1 or RT-1) is a self contained, fully automated Robotic Torso, designed and built by Elumotion to provide a robotic platform based on human anatomy. RT-1 is a highly articulated manipulating platform and includes novel dexterous hands that allow emulation of human gesturing”. – Elumotion.com

Photo: BERTI the robot interacts with a Sony AIBO robot dog at The Science Museum's Antenna Gallery on February 17, 2009 in London. (Photo by Peter Macdiarmid/Getty Images)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.