A hot air balloon in the shape of children's comic Rupert Bear is seen tethered before a tethered flight at the Bristol International Balloon fiesta in south west England, Britain, August 10, 2018. (Photo by Adrian Sherratt/The Guardian)

A couple is walking hand-held up Kronsberg, just outside Hanover, Germany on April 7, 2020, when the moon rises on the horizon as the so-called supermoon. The moon reaches its perigee, i.e. the point closest to the Earth's orbit, on the night of 7-8 April as a full moon and therefore appears particularly large to the human observer. (Photo by Julian Stratenschulte/dpa via ZUMA Press)

Models present creations “2033 (teens)” by Belarusian designer Anastasiya Kutepova during a show at the festival and contest Fashion Mill, amid the coronavirus disease (COVID-19) outbreak, in Minsk, Belarus on June 30, 2020. (Photo by Vasily Fedosenko/Reuters)

A regional train passes fog-covered fields in Wehrheim near Frankfurt, Germany, early Friday, October 7, 2022. (Photo by Michael Probst/AP Photo)

A woman walks past a painting by Jenny Saville entitled “Red Stare Head IV” on display in the Royal Academy of Arts' Summer Exhibition on June 2, 2011 in London, England. The Summer Exhibition is the world's largest open submission contemporary art show, now in its 243rd year, with over 12,000 entries received from 27 countries. The exhibition features over 1100 works of art including: painting, sculpture, photography, architecture and film, it officially opens to the public on June 7, 2011. (Photo by Oli Scarff/Getty Images)

We all have our own ways of passing time on our daily commutes. Some people read, others try to sleep, and many listen to music or play on their phones. But one creative commuter has a simple and highly entertaining way that hopefully more people will embrace. By placing a face from a newspaper in front of a person at just the right angle, they transform other commuters into recognizable celebrities while keeping the unbeknownst participant obscured.

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.