Jim Mahoney looks out from his yard towards the construction of the Foxconn manufacturing complex, after he and his wife Kim refused to sell their home and property to Foxconn, in the Racine County city of Mt. Pleasant, Wisconsin, U.S., July 27, 2019. (Photo by Brian Snyder/Reuters)

A giant sinkhole in Guatemala City, on May 31, 2010. More than 94,000 were evacuated as the storm buried homes under mud, swept away a highway bridge near Guatemala City and opened up several sinkholes in the capital. (Photo by Casa Presidencial/Reuters via The Atlantic)

Two models sit in an acrylic “ZF-Car” from the German manufacturer of the same name at the Automechanika automotive service industry trade fair in Frankfurt am Main, Germany, 12 September 2016. The Automechanika Fair runs from 13 to 17 September 2016. (Photo by Boris Rössler/EPA)

A hungry cow smiles for the camera in Salzburg, Austria. One of a series of funny animal mugshots taken by Chanel Cartell and Stevo Dirnberger during their travels around the globe. (Photo by Chanel Cartell/Stevo Dirnberger/Rex Features/Shutterstock)

People are reflected on a soap bubble lying on a road during the evening in New Delhi, India, June 23, 2015. (Photo by Anindito Mukherjee/Reuters)

A mural depicting a resting cat by Russian street artist Vladi is photographed by a man outside a hotel in Hong Kong on November 27, 2023. (Photo by Peter Parks/AFP Photo)

This photo taken on March 10, 2025 shows the former disaster prevention office building in Minamisanriku Town, Miyagi Prefecture, lit up on the eve of the 14th anniversary of the 2011 earthquake and tsunami disaster. (Photo by JIJI Press/AFP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.