A Bangladeshi girl plays on a swing, in Dhaka, Bangladesh, December 27, 2016. (Photo by Mohammad Ponir Hossain/Reuters)

Dancers perform at a Carnival parade in Les Cayes, Haiti, Tuesday, February 28, 2017. Haiti's three-day Carnival festivities have brought rum-fueled parties, imaginative costumes and high-energy dance music to a southern city that's still recovering from last year's punishing Hurricane Matthew. (Photo by Dieu Nalio Chery/AP Photo)

Tajammu Al-Ezza brigade fighters react while firing a Grad shell towards forces of Syria's President Bashar Al-Assad stationed in Salhab village, Hama countryside, May 7, 2015. (Photo by Mohamad Bayoush/Reuters)

Model Adriana Lima attends the 19th Annual amfAR New York Gala at Cipriani Wall Street on February 8, 2017 in New York City. (Photo by Splash News and Pictures)

A wild leopard runs on the stairs as it tries to escape from a compound of a house in Kathmandu, Nepal June 1, 2016. (Photo by Navesh Chitrakar/Reuters)

Simone Genziuk is one of the star’s of Sydney's Royal Easter Show – not surprising when you see her lift a 75kg washing machine with her hair. The 43-year-old known as Simi is one of the star’s of this year’s Royal Easter Show and it’s all thanks to her hair. Ms Genziuk is no newcomer to the art of circus performing having been an aerial acrobat for 13 years. (Photo by Nathan Edwards/Newspix/SIPA Press)

Emma the Maltese's fur blows in the wind as she rides in her owner's purse on 5th Avenue at Central Park in New York December 2, 2014. (Photo by Carlo Allegri/Reuters)

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)