An Emirati man sits outside an old house at the Heritage Village in Dubai, UAE March 13, 2016. The Heritage Village was created in 1997 in Al Shindagha Historical Neighborhood in Dubai, close to the Diving Village, to embrace the heritage events and to display a live image of the old traditional life in UAE. It represents the components of wild, marine, and mountain life, where the visitor can identify closely the old traditional customs of the country and the special characteristics of old houses, handicrafts, patterns, and forms of living. It is owned and managed by Dubai Culture & Arts Authority. (Photo by Ahmed Jadallah/Reuters)

Meerkats are weighed and measured during the ZSL London Zoo 's annual weigh-in on August 22, 2012 in London, England. The height and mass of every animal in the zoo, of which there are over 16,000, needs to be recorded. The measurements are collated in the Zoological Information Management System, from which zoologists can use the data to compare information on thousands of endangered species. (Photo by Oli Scarff)

We – Verena Popp-Hackner and Georg Popp - are professional landscape photographers. While we are based in Vienna/Austria, running our own (rights managed) image library and a small but fine photo-gallery. Photographing our tiny country Austria, with all it's culture and nature, canoeing it's rivers or lakes and hiking the Alps is our profession but our photographic “backyard” includes the rest of the planet as well. We use analog large format cameras almost exclusively for our landscape work, shooting on 4x5” sheet film, to provide clients with the maximum of print-sharpness and details and unsurpassed clarity and depth of focus.

Artists perform during the opening show directed by German director Volker Hesse, on the opening day of the Gotthard rail tunnel, at the fairground Rynaecht at the northern portal in Erstfeld, Switzerland, Wednesday, June 1, 2016. The construction of the 57 kilometer long tunnel began in 1999, the breakthrough was in 2010. After the official opening on June 1, the commercial operation will start in December 2016. (Photo by Ruben Sprich\Pool Photo via AP Photo)

During the feudal times, the society was very structured where everyone knew their place. Fishermen knew that they would always have to bend their knee for highborn ladies and gentlemen, while the latter considered themselves to be far too superior to even look at the common folk. Mont Saint-Michel is a living memorial of those times. Its structural composition clearly reflects the structure of feudal society: The monastery and abbey were built on the highest point; housing and stores were built some distance below; finally, fishermen’s and farmer’s houses were constructed, not even being within the city walls, making them the most vulnerable to the possible attack.

In this Wednesday, March 18, 2015 photo, limestone quarry workers walk through a cloud of dust spewed into the air by rotor blades of the stone-cutting machinery in the desert of Minya, southern Egypt. Around 45,000 people, including children, work in an estimated 1,500 quarries, digging out stones that later will be used in construction or powdered to be used by pharmaceutical and ceramic companies. (Photo by Mosa'ab Elshamy/AP Photo)

Central Bangkok and the Chao Phraya River are seen from an abandoned skyscraper in Bangkok April 19, 2015. The abandoned building, known as Satorn Unique, dubbed the “ghost tower” was destined to become one of Bangkok's most luxurious residential addresses but construction was never completed as the Thai economy was hit during the 1997 Asian Financial Crisis. Now, many travellers visit and explore 49-storey skyscraper. (Photo by Athit Perawongmetha/Reuters)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.