A person takes a photo of the skyline with the Shard building in the center, at sunset, from Greenwich Park in London, Tuesday, November 24, 2020. (Photo by Yui Mok/PA Wire via AP Photo)

A member of Extinction Rebellion Red Rebel Brigade protests against fracking gas outside Government Buildings in Dublin, Ireland on March 23, 2021. (Photo by Clodagh Kilcoyne/Reuters)

A flower is pictured in front of the destroyed regional administration building as Russia's attacks on Ukraine continue, in Mykolaiv, Ukraine on June 8, 2022. (Photo by Edgar Su/Reuters)

A man looks at the body of a man killed at a residential building damaged by a Russian military strike, as a journalist looks at the scene in Kharkiv, Ukraine, July 11, 2022. (Photo by Nacho Doce/Reuters)

Los Angeles native Mike Stilkey has always been attracted to painting and drawing not only on vintage paper, record covers and book pages, but on the books themselves. Using a mix of ink, colored pencil, paint and lacquer, Stilkey depicts a melancholic and at times a whimsical cast of characters inhabiting ambiguous spaces and narratives of fantasy and fairy tales. A lingering sense of loss and longing hints at emotional depth and draws the viewer into their introspective thrall with a mixture of capricious poetry, wit, and mystery. (Photo by Mike Stilkey)

It is amazing how much the humanity can change the face of the earth. Not only can it create huge craters, which look a lot like craters from meteors, they leave a big enough impact that it can be seen from space. Though this crater, caused by a massive explosion on 1 July 1916, looks large, being 90 feet deep and 300 feet across; it is nowhere big enough to be viewed for space. A common misconception is that the Great Wall of China can be seen from space. In reality, however, it is impossible. Not only is it of the same color as the earth near it, it is also not that wide. Deforestation, on the other hand, can be clearly seen from space. Also, at night, all the lights that the large cities produce are also very visible.

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

Welcome to Cardboard Box Office – our homemade creations of some of your favorite movie scenes built from some of our favorite domestic junk. The project began after finding that we had accumulated both a lot of cardboard boxes (due to moving to a new country) and a baby (due to giving birth). With our social lives drastically altered we decided to find a way to make some of those housebound weekends a little more fun. The costumes, props, and sets in Cardboard Box Office are created entirely out of everyday household items, toys, cardboard, and three individuals slowly losing their sanity. Enjoy!