A muslim woman protests opposite Downing street against the military action taken by the UK, USA and France against Libya on March 21, 2011 in London, England. The Pentagon says that United States and United Kingdom military forces have fired more than 110 missiles, with French planes attacking pro-Gaddafi forces near rebel-held Benghazi. (Photo by Oli Scarff/Getty Images)

Facade of the “Porcelain House”, built by Chinese collector Zhang Lianzhi, on November 1, 2008 in the Heping district of Tianjin, China. Over 400 million porcelain fragments, 5,000 ancient vases, 4,000 antique china dishes and bowls, over 20 tons of crystalline rocks and agate, 400 white marble stone carvings were incorporated in the five year refurbishment of the unique French styled house. (Photo by China Photos/Getty Images)

Minimiam is a project of the Japanese photographer Akiko Ida and French photographer Pierre Javelle. They met studying photography at the Paris “Arts Décoratifs” art school. The project has been ongoing since 2002 and was inspired by the married couple’s profession as commercial food photographers.

French artist Julien Breton aka Kaalam started calligraphy in 2001 by copying Arabic calligraphers. Self-taught, he began to incorporate long exposure photography to create incredible light paintings around the world. All of the images in this gallery were created in-camera, meaning there is no Photoshop trickery or post-production manipulation involved in creating these works of art.

Working in graphite, gold leaf and mixed media assemblage, Yoann Lossel creates fantastic myth based worlds and scenarios. They have a beautiful graceful ambiance, full of spiritual timelessness and ancient rituals. He is a French painter and designer currently living in the Forest of Broceliande in Brittany, a landscape steeped in Celtic and Arthurian myth. Reflecting this environment – Yoann’s works take the viewer through mythic and imaginary lands, imbued with ancient tales and iconic mysteries.

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.