Mates Jimi Hunt and Dan Drupstee dug the 650m slippery slide on a property at Helensville, northwest of Auckland and opened it this weekend as part of a festival to help combat depression.
Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.
A German Air Force Officer sits astride a dead boar outside a house where he is stationed near the Western Front, in this 1918 handout picture. This picture is part of a previously unpublished set of World War One (WWI) images from a private collection. The pictures offer an unusual view of varied and contrasting aspects of the conflict, from high tech artillery to mobile pigeon lofts, and from officers partying in their headquarters to the grim reality of life and death in the trenches. The year 2014 marks the centenary of the start of the war. (Photo by Reuters/Archive of Modern Conflict London)
Billy Zane and Jasmina Hdagha attend the world premiere of Titanic 3D at The Royal Albert Hall on March 27, 2012 in London, England. (Photo by Dave Hogan/Getty Images)
Sebastien Laurent, manager of the Zoo, gives a slice of cake to Major, the holdest captive Orang-Outang in the world, as part of its 50th birthday ceremony, on July 17, 2012, at the La Boissiere-du-Doree Zoo near Nantes, western France. (Photo by Alain Jocard/AFP Photo)
Measuring just five feet at its widest point, the ultra-thin home was unveiled in the Polish capital of Warsaw on Sunday, October 21, 2012. Photo: The Keret House is squeezed into the space between two apartment buildings in Warsaw. There's a four-inch gap between the apartment buildings to either side. A perforated steel facade was used to allow in more light. (Photo by Andrea Meichsner/The New York Times)