A woman carries her cat as Palestinians who had taken refuge in temporary shelters return to their homes in eastern Khan Yunis in the southern Gaza Strip during the first hours of a four-day truce in the battles between Israel and Hamas militants, on November 24, 2023. A four-day truce in the Israel-Hamas war began on November 24, with hostages set to be released in exchange for prisoners in the first major reprieve in seven weeks of war that have claimed thousands of lives. (Photo by Mahmud Hams/AFP Photo)

Flowers are left on the ground near the Borisovskoye cemetery during the funeral of Russian opposition politician Alexei Navalny in Moscow, Russia, on March 1, 2024. (Photo by Reuters/Stringer)

Palestinian children, with empty containers, wait in a line for food, distributed by charity organizations, since Palestinians are unable to obtain basic food supplies due to the embargo imposed by Israeli forces in Rafah, Gaza on February 25, 2024. (Photo by Abed Zagout/Anadolu via Getty Images)

(L-R) Mollie King and Frankie Sandford of The Saturdays performs for a dress rehearsal before the first night of their “All Fired Up!” tour at The Bournemouth International Centre on December 1, 2011 in Bournemouth, United Kingdom. (Photo by Dave J. Hogan/Getty Images)

Kim Anderson photography career, now overseen from his home base in a Swiss mountainside village, began the way of many shutter bugs. His early photos focused on fashion and people, as well as photography for advertising agencies.

Where Children Sleep – stories of diverse children around the world, told through portraits and pictures of their bedrooms by James Mollison. This is a selection from the 56 diptychs in the book (Chris Boot November 2010). The book is written and presented for an audience of 9-13 year olds ‘ intended to interest and engage children in the details of the lives of other children around the world, and the social issues affecting them, while also being a serious photographic essay for an adult audience.

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.