“Happy Feet” the emperor penguin that washed up on the Kapiti Coast last week, undergoes a medical examination at Wellington Zoo on June 29, 2011 in Wellington, New Zealand. The young penguin landed on NZ shores last week, after traveling over 3,000 kilometres from the antarctic. The ill penguin was operated on at Wellington Zoo several times this week to remove sand and sticks from it's stomach with hopes it will recover fully. A team of experts is likely to decide today, whether the bird will remain in captivity in New Zealand, or be transported back the the antarctic. (Photo by Hagen Hopkins/Getty Images)

The stern of the stranded cargo vessel Rena grounded on the Astrolabe Reef is seen on October 20, 2011 in Tauranga, New Zealand. Salvage crews continue to pump oil off the ship in an effort to remove as much as possible before bad weather predicted for the evening threatens to break the vessel and release more oil into the sea. Over 300 tonnes of oil has leaked from Rena since it hit the reef on October 5. (Photo by New Zealand Defence Force via Getty Images)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

The pictures made by Elizabeth Gadd are so beautiful, tranquil, and mesmerizing, that they wash over your soul in a wave of sadness. The same sadness that you feel when hearing a wonderful piece of music. The same sadness that enters your soul when you worry to death about your loved one, but everything turns out to be just fine. These aren’t just pictures… The pieces of art that Elizabeth, a 21-year-old self-taught photographer makes, are windows into fairytales; portals into other dimensions. Works so surreal, that it makes you wonder if the scenes that you are seeing were actually shot on this planet; that they are not figments of Beth’s imagination. (Photo by Elizabeth Gadd)

Kale grows at Kajodlingen farm in Gothenburg, Sweden, September 28, 2016. They are doing it on the rooftops, on tower block balconies and even on a disused railway: Swedes have discovered a passion for urban gardening as a way of growing fresh food and getting back in touch with nature. Part of a global movement, an increasing number of Swedish city-dwellers are growing their own in window boxes and allotments or are visiting public gardens built in or on industrial or office spaces. (Photo by Maxim Shemetov/Reuters)

Teeming with images of spectacular underwater scenes from around the world, Call of the Blue is the culmination of a five-year project by the photographer and ocean conservationist Philip Hamilton. This groundbreaking book includes contributions from acclaimed scientists and ocean “guardians”, who reveal what drove them to answer the call of the blue. (Photo by Philip Hamilton/The Guardian)

British designer Alex Chinneck created the installation - called From the Knees of my Nose to the Belly of my Toes - by removing the facade of a detached four-storey house that had been derelict for eleven years and replacing it with a brand new frontage that leaves the crumbling top storey exposed, then curves outwards so the bottom section lies flat in front of the house.