Argentinian twin dancers Nicolas Filipeli and German Filipeli perform during the Tango Stage final competition at the Tango Dance World Championship in Buenos Aires on August 21, 2019. (Photo by Ronaldo Schemidt/AFP Photo)

A businessman walks past an empty baby Tyrannosaurus rex costume near Faneuil Hall in Boston, Thursday, May 17, 2018. An actor left the costume on the sidewalk as he went to retrieve his parked car, after entertaining midday tourists. (Photo by Charles Krupa/AP Photo)

People walk passed sculptures by Chinese artist Minjun Yue on a street outside a museum in Beijing, China on July 5, 2018. (Photo by Nicolas Asfouri/AFP Photo)

Artists called “Le couple en chocolat” take part in the festival “Statues en Marche” in Marche-en-Famenne, Belgium, July 22, 2018. Living statues are a common sight in many city centres, but it is rare to see such a diverse range of this peculiar form of street art for which performers must keep still for painfully long periods of time to create the desired illusion. (Photo by Yves Herman/Reuters)

Randy Orton is seen in action against Rey Mysterio during the single match of WWE “Crown Jewel” World Cup 2018 tournament at King Saud University stadium in Riyadh, Saudi Arabia on November 2, 2018. (Photo by Faisal al Nasser/Reuters)

Vadim Voitekhovitch was born in a small town of Mozyr, Belarus. He spent most of his life Belarus and he graduated from Bobruisk Art College. From 2004 he lives and works in Germany. His style is quite diverse, but he dedicates most of his time to watercolor and oil. Voitekhovitch likes to draw pictures on history subjects and especially subjects coming from XVIII-XIX centuries.

American sculptor Michael Alfano has been sculpting for over fifteen years. A native of New York, he now lives and works in Hopkinton, Massachusetts. His major influences are Salvador Dali, Jo Davidson, and Jean-Antoine Houdon, as well as Buddhist, Taoist, Sufi and other eastern philosophy and literature. He first studied at the Art Students League of New York, with an emphasis on life-size sculpture from the model. His formal education continued at Boston University and was augmented by internships with several prominent sculptors.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.