A man works inside a bakery in the rebel-controlled area of Maaret al-Numan town in Idlib province, Syria December 17, 2015. (Photo by Khalil Ashawi/Reuters)

Heavy machinery is used as Encinitas lifeguards work to remove the carcass of a large humpback whale that washed ashore in Leucadia, California, United States, July 18, 2016. (Photo by Mike Blake/Reuters)

I had to stay late at work, Chubut, Argentina. “South sea elephant in Patagonia (Isla Escondida) They adopt very curious gestures!”. (Photo by Luis Burgue/Comedy Wildlife Photography Awards 2020)

Social activists working for the rights of sеx workers celebrate with colour powder during the International Sеx Workers' Rights Day in Kolkata on March 3, 2020. (Photo by Dibyangshu Sarkar/AFP Photo)

People work to rescue a dog from under rubble, in the aftermath of a deadly earthquake, in Iskenderun, Turkey February 8, 2023, in this screengrab obtained from a social media video. (Photo by Gurcan Ozturk via Reuters)

Nail salon Maniqure owner Lim Pei Xin works on a Squid Game's manicure for a client at her shop in Kuala Lumpur, Malaysia on October 14, 2021. (Photo by Lim Huey Teng/Reuters)

A woman wades throug a flooded Main Street as she makes her way to work in Carrigaline, Co. Cork, Ireland on October 18, 2023. (Photo by David Creedon/The Irish Times)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.