Jean-François Leroy launched Visa Pour l’Image, the international photojournalism festival, in Perpignan in 1989. Before heading up the festival, Leroy was shooting reportage for the agency Sipa Press and also working for Photo-Reporter, Le Photographe, Photo-Revue and Photo Magazine. He is the chairman of the company Images Evidence. Photo: 2008 Visa d'or Feature: Brent Stirton. Conservation Rangers from an Anti-Poaching unit work with locals to evacuate the bodies of four Mountain Gorrillas killed in mysterious circumstances in the park, July 24, 2007, Virunga National Park, Eastern Congo. (Photo by Brent Stirton/Exclusive by Getty Images)

This incredible panoramic photographs are distorted to create miniature worlds and terrifying tunnels. (Photo by Caters News)

Five year old George holds an orange to feed the Owl butterflies at the Natural History Museum in London, Thursday, March 30, 2017. Hundreds of tropical butterflies were released to launch the Natural History Museum's Sensational Butterflies exhibition, starting for the public on March 31, 2017. (Photo by Frank Augstein/AP Photo)

Girls dressed in traditional costumes run as men throw water on them as part of Easter celebrations during a presentation to the media in Mezokovesd, Hungary, April 13, 2017. (Photo by Laszlo Balogh/Reuters)

Fans are seen at the 143rd Kentucky Derby on May 6, 2017 in Louisville, Kentucky. (Photo by Michael Hickey/Getty Images)

Eurovision fans from Sweden kiss in front of the Globen Arena prior the first the Eurovision Song Contest final in Stockholm, Sweden, Saturday, May 14, 2016. (Photo by Martin Meissner/AP Photo)

A zoo performer smiles as he puts his head between the jaws of a crocodile during a performance for tourists at the Sriracha Tiger Zoo, in Chonburi province, east of Bangkok,Thailand, June 7, 2016. (Photo by Chaiwat Subprasom/Reuters)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)