Council staff clean a section of the rarely seen Minton tiled floor of the of the grand St. George's Hall on January 4, 2012 in Liverpool, England. (Photo by Christopher Furlong/Getty Images)

Socialite Kathy Hilton attends the Prudential Financial Grand Prix Hamptons Classic Horse Show August 31, 2003 in Bridgehampton, New York.

In this composite image Actress Sophie Marceau has an embarrassing moment as her top falls down while she enters a screening of “Where the Truth Lies” at the Grand Theatre during the 58th International Cannes Film Festival May 13, 2005 in Cannes, France. (Photo by Pascal Le Segretain/Getty Images)

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.

A woman holds a parasol as she stands in a field of fireweed, or Kochia scoparia, on a sunny autumn day at the Hitachi Seaside Park in Hitachi, north of Tokyo, October 26, 2015. Fireweed is a grass bush that takes on a bright red colour in autumn. (Photo by Thomas Peter/Reuters)

A performer dressed as Empress Huang of the China's Forbidden City takes part in a musical performance at a shopping mall in Kuala Lumpur on January 22, 2017 as part of the upcoming Lunar New Year celebrations marking the Year of the Rooster. (Photo by Manan Vatsyayana/AFP Photo)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)